SUPPLEMENTS

nonchalANTH: Casual Anthropology Chats

KAT IRESINE TIMM

Drawing Together to Practice Reflexivity in Research Methods

JULIE SPRAY

Producing Journalistic Authority in Turkey

NAZLı ÖZKAN

Retro Nuoso

KAITLIN BANFILL

Ethnographic Installation and “the Archive”

DEBRA VIDALI &
KWAME PHILLIPS

Multi-Modal Projects

ROGER CANALS

Video Workshops

LUCAS BESSIRE

Extending the Frame

PATRICK SUTHERLAND

Enactive Filmmaking

LORENZO FERRARINI

Tasting Tea and Filming Tea

JINGHONG ZHANG

Censorship and Ethnographic Film

HARJANT S. GILL

Portrait Photography in a Postcolonial Context

BETH BUGGENAGEN

Auteurship and Image-Making

ARJUN SHANKAR

Self-Fashioning and Collaborative Ethnography in the Digital Age

ETHIRAJ GABRIEL DATTATREYAN

Reframing Anthropology Exhibitions for Contemporary Audiences

MONIQUE SCOTT

Visual Representations of Masculinity in Dakar 

DICK POWIS

Pedagogies of the Senses

ETHIRAJ GABRIEL DATTATREYAN &
ISAAC MARERRO-GUILLAMÓN

Paraethnographic Film

TOM BOELLSTORFF

Visual Regimes of Mobility

PINELOPI TOPALI

At Dalits’ Feet

ANNA LAINE

The Ax Fight

ANNA GRIMSHAW &
SYDNEY SILVERSTEIN

Racialized Space

AMBER REED

Undercover Boss’s Travels

ILANA GERSHON

Moving Painting

LISA STEFANOFF

Doing the Snap

LAURIAN R. BOWLES

Models, Measurement, and the Problem of Mediation

STEPHANIE SADRE-ORAFAI

Use of Intermediary Images in Egyptian Film Production

CHIHAB EL KHACHAB

Future Archives and Everyday Life in Indonesia

DAVID KLOOS

Anthropology with a Paintbrush

ZOE BRAY

The Iconicity and Reappropriation of Tank Man

JENNIFER HUBBERT

 

We are in the process of migrating past supplements to our new online home.

UPDATED SEPTEMBER 21, 2023