https://www.visualanthropologyreview.org/previous daily 0.75 2023-01-03 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1735585113327-954LERP50AJ7QRKEQOFH/VAR%2BCover%2B401_DOUGLAS_FINAL.jpg PREVIOUS 40.1 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/617d279b-f5b9-4ac0-a68f-25338a130f8e/DeAngelo+Cover+392+.jpg PREVIOUS 392 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ed42f244-2463-4f03-97cd-0ec2a22e94e6/Kat_VARCoverSpring2023_v033.jpg PREVIOUS var391 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5c503469-6a30-4ef7-b2e3-e9cc0becc3f4/382VARCoverFall2022_crop.jpg PREVIOUS var382 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/542a8d18-9dce-4730-9eb0-66eae0772b9f/VAR_v38_i1_Cover_Front.jpg PREVIOUS VAR 38.1 (spring 2022) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/d5dded34-c1ce-4bee-a69a-fc0743ec0fcb/37-2_HalfCover.jpg PREVIOUS VAR 37.2 (fall 2021) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869249761-BDA5TTXJVXANEL3NBPK0/00_Cover.jpg PREVIOUS VAR 37.1 (spring 2021) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7fd0ee25-8803-41b5-bba6-785337b17ee8/00_Cover.jpg PREVIOUS VAR 36.2 (fall 2020) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1589997645336-WA2TA0JD0T91N6HXH151/VARCover3.png PREVIOUS VAR 36.1 (spring 2020) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163517930-WIOO8C2Y26GE9KCWGLUO/VAR352.jpg PREVIOUS VAR 35.2 (fall 2019) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163517755-13BZ19XKNHW3N9H3F0OR/VAR351.jpg PREVIOUS VAR 35.1 (spring 2019) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519265-88B6DQWUA5IQN04PO3OQ/VAR342.png PREVIOUS VAR 34.2 (fall 2018) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519183-Y3S5XLDUO3SO3P7OWPF1/VAR341.png PREVIOUS VAR 34.1 (spring 2018) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519561-V8EN5C45589QUEZI4PKW/VAR332.png PREVIOUS VAR 33.2 (fall 2017) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163518201-JCHLEYQTWCXKPV6TOPJO/VAR331.png PREVIOUS VAR 33.1 (spring 2017) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519165-A5J6QAQ6SHM2SJW83XAS/VAR322.png PREVIOUS VAR 32.2 (fall 2016) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519666-5MTHBM1W0GEXJ20JAVIV/VAR321.png PREVIOUS VAR 32.1 (spring 2016) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519511-28SPXQIS1JMJZUDFGFND/VAR312.png PREVIOUS VAR 31.2 (fall 2015) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519799-M7BEJ68ZBT5DC9LBDF75/VAR311.jpg PREVIOUS VAR 31.1 (spring 2015) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519851-68A70DJ6UGME9ULW6RGA/VAR302.jpg PREVIOUS VAR 30.2 (fall 2014) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163519849-IKW4F1SLTLDTR5RSMYD2/VAR301.jpg PREVIOUS VAR 30.1 (spring 2014) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163520154-TGJ7SBPK2TMYMMFD0S0S/VAR292.jpg PREVIOUS VAR 29.2 (fall 2013) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163520155-122IU2IM070O23VXUTOM/VAR291.jpg PREVIOUS VAR 29.1 (spring 2013) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593714745196-IJ3B00ERSMPNN3H2ZSPV/var.2012.28.issue-2.cover.gif PREVIOUS VAR 28.2 (fall 2012) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163520290-QJIX3S8TADFKOF378E8G/VAR281.jpg PREVIOUS VAR 28.1 (spring 2012) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163521507-RHPE1HDX90N1L8CESSAA/VAR272.png PREVIOUS VAR 27.2 (fall 2011) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163521464-LPKDG4X9BNCMTGP5741E/VAR271.jpg PREVIOUS VAR 27.1 (spring 2011) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163521393-83K7CDVAE268TXQB3CFT/VAR262.jpg PREVIOUS VAR 26.2 (fall 2010) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163521405-ZGI8FOBG4IDN13HDCUPX/VAR261.jpg PREVIOUS VAR 26.1 (spring 2010) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590163521835-TDQKH496YADXNMLBTXRK/VAR252.jpg PREVIOUS VAR 25.2 (fall 2009) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709973011-BZ2ILHOMVTI8Z4PVSHT8/var.2008.24.issue-2.cover.gif PREVIOUS VAR 24.2 (fall 2008) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709973273-X0Q437EQR67IX3J32PXP/var.2008.24.issue-1.cover.gif PREVIOUS VAR 24.1 (spring 2008) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593711008457-3W2XBH0WAI1TTX8BBR54/var.2009.25.issue-1.cover.gif PREVIOUS VAR 25.1 (spring 2009) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709968847-ZKN72OZF81TTRDXZQ5LG/var.2007.23.2.cover.png PREVIOUS VAR 23.2 (fall 2007) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709967829-D9DHNV5J3ZFNMFA8Q3GK/var.2007.23.2.backcover.png PREVIOUS VAR 23.2 (fall 2007) back cover https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709971166-UVZ51V1P91XMR27LVDJS/var.2007.23.1.cover.png PREVIOUS VAR 23.1 (spring 2007) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709968780-S6AQBOJNINGHW3EFMONV/var.2007.23.1.backcover.png PREVIOUS VAR 23.1 (spring 2007) back cover https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709971574-OR729KF6HZXAT168J8BB/var.2006.22.2.cover.png PREVIOUS VAR 22.2 (fall 2006) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709971169-1T1KTS9YDIKZQ7FQEMST/var.2006.22.2.backcover.png PREVIOUS VAR 22.2 (fall 2006) back cover https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709971818-MRYTRKDUO0UTHX6TTLPW/var.2006.22.1.cover.png PREVIOUS VAR 22.1 (spring 2006) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709971416-GAKPDPVD0YT5SIPVIGMZ/var.2006.22.1.backcover.png PREVIOUS VAR 22.1 (spring 2006) back cover https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593715174195-K4F5L87L3M47786KWTBN/var.2005.21.1-2.cover.png PREVIOUS VAR 21.1–2 (2005) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709971916-4J88GY86TO7Q6U345Y1H/var.2005.21.1-2.backcover.png PREVIOUS VAR 21.1–2 (2005) back cover https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709967731-EBFGDGC6XCCHL3WXWT8Y/var.2004.20.2.cover.jpg PREVIOUS VAR 20.2 (fall 2004) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709973802-A3Z7XS9CXV4L71DUBDGE/var.2004.20.2.backcover.png PREVIOUS VAR 20.2 (fall 2004) back cover https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709964719-477R3SLRQDMMH4GI8ZWT/var.2004.20.1.cover.png PREVIOUS VAR 20.1 (spring 2004) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709957298-H6P95R63KIT3T0UQT8YM/var.2004.20.1.backcover.jpg PREVIOUS VAR 20.1 (spring 2004) back cover https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709967821-TDUXJDJ37Q1NAL8OU7IY/var.2003.19.1-2.frontcover.jpg PREVIOUS VAR 19.1–2 (2003) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593710000351-VCNLGMNVCXLIBPFGQLU0/var.2003.19.1-2.backcover.png PREVIOUS VAR 19.1–2 (2003) back cover https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709982487-CL213UDU24B6Q16EZO6Y/var.2002.18.1.3.fp.png PREVIOUS VAR 18.1–2 (2002) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709967899-D2ZY04X2JL6NO7CZQBON/var.2001.17.2.3.jpg PREVIOUS VAR 17.2 (fall 2001) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593715396583-EBVU26GA971VR8768DNB/var.2001.17.1.2.fp.png PREVIOUS VAR 17.1 (spring 2001) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709982163-Z8VPEZS2JVFMEW9D52Y6/var.2000.16.2.2.fp.png PREVIOUS VAR 16.2 (fall 2000) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709981241-7X6PN9L8KYWRM8T3POSZ/var.2000.16.1.2.fp.png PREVIOUS VAR 16.1 (spring 2000) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593715670385-8JKMI4X0C6AD81DNP9C0/var.2000.15.2.3.fp.png PREVIOUS VAR 15.2 (fall 1999) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132053055-9GEK4SPZQZVWOKAJMLW7/var.1999.15.1.jpg PREVIOUS VAR 15.1 (spring 1999) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132050689-TFAAC0HQUL86VYUJW2VJ/var.1998.14.2.jpg PREVIOUS VAR 14.2 (fall 1998) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132050624-MC5Z9TQ757ST7TD2NR5M/var.1998.14.1.jpg PREVIOUS VAR 14.1 (spring 1998) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132043099-NSDZOXUPQU83N56AEM3O/var.1997.13.2.jpg PREVIOUS VAR 13.2 (fall 1997) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132043494-TW208M28J2FEUVEDPB8A/var.1996.12.2.jpg PREVIOUS VAR 12.2 (fall 1996) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132038888-NB86DWFXOQNFW9EF8X57/var.1996.12.1.jpg PREVIOUS VAR 12.1 (spring 1996) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132043491-F4FVR3I58WPPDLTBSRHU/var.1995.11.2.jpg PREVIOUS VAR 11.2 (fall 1995) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132029244-SHEV1F52UWLO0BA1Y4EV/var.1995.11.1.jpg PREVIOUS VAR 11.1 (spring 1995) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132024682-JSDUBR2HJFRFI6SDAURW/var.1994.10.2.jpg PREVIOUS VAR 10.2 (fall 1994) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132031730-3JOP2PN9F3IDHW4WCHSV/var.1994.10.1.jpg PREVIOUS VAR 10.1 (spring 1994) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132010590-0TXAW4LZ9G5TEYBC233M/var.1993.9.2.jpg PREVIOUS VAR 9.2 (fall 1993) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132016297-1JP0SOJ9RL2N1T7JXSP1/var.1993.9.1.jpg PREVIOUS VAR 9.1 (spring 1993) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132022158-4FNXSPUDH9OGWX1NPVRK/var.1992.8.2.jpg PREVIOUS VAR 8.2 (fall 1992) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132009877-FWA9LNC5A397K0ZDS0VH/var.1993.8.1.jpg PREVIOUS VAR 8.1 (spring 1992) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132019747-IUQAJYYCRGY0ZQ1QSLD5/var.1991.7.2.jpg PREVIOUS VAR 7.2 (fall 1991) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593709997831-V1BF88YTF356W1K4CPXH/var.1991.7.1.png PREVIOUS VAR 7.1 (spring 1991) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594132034676-MT4XN7YGXLFPHH5OGJVK/var.1990.6.2.jpg PREVIOUS VAR 6.2 (fall 1990) https://www.visualanthropologyreview.org/editorial-board daily 0.75 2024-12-30 https://www.visualanthropologyreview.org/style daily 0.75 2025-08-05 https://www.visualanthropologyreview.org/virtual daily 0.75 2023-01-03 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg VIRTUAL - Make it stand out Virtual Issue 1. Sympathetic Resonance: Visual Anthropology and Visual Communication Design, a cross-platform virtual issue of Visual Anthropology Review & Visible Language Edited by Alonso Gamarra, Andrew McGrath, Muhammad Rahman, D.J. Trischler, and Matthew Wizinsky https://www.visualanthropologyreview.org/editorial-office daily 0.75 2026-03-05 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/558225b7-ef2d-42ed-b1f6-3cbf418846a4/image0.jpeg EDITORIAL OFFICE - ALI FESER CO-EDITOR Ali Feser is a cultural anthropologist and interdisciplinary artist. She was trained at Bard College and the University of Chicago and is currently a Visiting Assistant Professor of Healthcare at Clarkson University. She is writing a book about the material history of Kodak film, its ecological aftereffects in Rochester, New York, and the erosion of utopian fantasies of the capitalist "good life." https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7a402715-6f7e-4ec3-8b49-32a45004dc95/7c5ee814-1aff-440b-b374-fe4942271f97.png EDITORIAL OFFICE - KWAME PHILLIPS CO-EDITOR Kwame Phillips is a visual anthropologist and sensory media artist. He was trained at Macalester College and Emory University and is currently Senior Lecturer in Media Practices at the Winchester School of Art, University of Southampton. His work uses multimodal and experimental methodologies to explore and express embodiments of resistance and survival, and Black cultural and political imagination. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1754408822605-NNKA39PGMIFO7MDST3NY/image-asset.jpeg EDITORIAL OFFICE - UPDATE SOON CO-EDITOR https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1591994210405-1T8SPKKFWNK6L6ILLJN5/Headshot+of+Eugenia+Kisin+with+brown+hair EDITORIAL OFFICE - EUGENIA KISIN FILM & EXHIBITION REVIEW EDITOR Eugenia Kisin is assistant professor of art and society at NYU's Gallatin School of Individualized Study. A visual anthropologist by training, she teaches classes about contemporary art and environmental justice, with a particular interest in cultures of display. Her forthcoming book, Aesthetics of Repair, considers how Indigenous artists extend ancestral protocols for bringing about just relations between persons, things, and territories in the extractive economies of the Pacific Northwest. Her Museum for Future Fossils project, a scholar's workshop and summer school organized with Kirsty Robertson (Western University), explores curatorial practice in the Anthropocene. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1735586063107-6Q4VJF2INEMPU0N9DA70/image-asset.jpeg EDITORIAL OFFICE - UPDATE SOON BOOK & ELECTRONIC MEDIA REVIEW EDITOR https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/debdd141-e3bf-4510-8287-4ff2bd946804/WhatsApp+Image+2025-01-09+at+15.39.39.jpeg EDITORIAL OFFICE - ALONSO GAMARRA CURATORIAL & DESIGN EDITOR Alonso Gamarra is a Postdoctoral Fellow at the University of Toronto. His research examines the modes of belonging that emerge at the margins of the state, focusing on the experiences of farmers, market workers, and activists in Peru’s southern region of Arequipa, where the country’s neoextractive economy makes social worlds increasingly uncertain. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1735586196768-YK7UW5G05CAZ3GH7Z619/image-asset.jpeg EDITORIAL OFFICE - UPDATE SOON DESIGN & EDITORIAL ASSISTANT https://www.visualanthropologyreview.org/var361-suppl-vidali-phillips daily 0.75 2020-07-06 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1591649677349-2MEMSC6W85T02BY27GZV/table+covered+with+archival+materials+sich+as+cassett+tapes+and+papers Supplement Vidali & Phillips VAR 36.1 table covered with archival materials sich as cassett tapes and papers https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1591649580067-TFQT34185AGZ79TENRMF/document+of+archival+material Supplement Vidali & Phillips VAR 36.1 document of archival material https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1591649613318-1H2V7RIVQICVJBV6Y8ZC/Architecutral+plan+of+an+gallery+installation+in+color Supplement Vidali & Phillips VAR 36.1 Architectural drawing of possible gallery sapce with various rooms https://www.visualanthropologyreview.org/supplements daily 0.75 2025-06-10 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e5a5bb16-f80b-44cf-a624-29e3adef63dd/autumn-studio-221wufG10eg-unsplash_middark.jpg SUPPLEMENTS - nonchalANTH: Casual Anthropology Chats KAT IRESINE TIMM https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1634407475224-DUIR7HI0M3KRAZWRK41Z/spray-lead-image.png SUPPLEMENTS - Drawing Together to Practice Reflexivity in Research Methods JULIE SPRAY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619209014126-VZCPJHFE066WB406X7W6/06_Ozkan.jpg SUPPLEMENTS - Producing Journalistic Authority in Turkey NAZLı ÖZKAN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608146814922-8GIJN7941KGP57TZNR2X/two+women+in+Nuosu+dresses%2C+holding+hands+and+looking+at+each+other SUPPLEMENTS - Retro Nuoso KAITLIN BANFILL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590201878239-4KVB7XC40POSLVM330L3/20140301_Trade-151_0124-copy.jpg SUPPLEMENTS - Ethnographic Installation and “the Archive” DEBRA VIDALI & KWAME PHILLIPS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590438469607-PX5F13LXHNWLU3N5WG27/Person+laying+on+table+with+flowers+and+two+candles+by+their+head SUPPLEMENTS - Multi-Modal Projects ROGER CANALS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590438958849-DR80MQPMABYZTXKMW2JP/Black+and+White+image+of+people+sitting+outside+watching+a+fiml+screen+at+night SUPPLEMENTS - Video Workshops LUCAS BESSIRE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1610822205394-ZSHLYKDNFAA3ROQUM8AZ/abstract+color+field SUPPLEMENTS - Extending the Frame PATRICK SUTHERLAND https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632330478392-FSWJ01GFOLAMR2GZUFP2/hunter+carrying+rifle+walking+through+bush+in+Burkina+Faso SUPPLEMENTS - Enactive Filmmaking LORENZO FERRARINI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632344698240-UXH8EI4NY3ELO3MAUZTD/a+cup+of+orange+tea+in+a+glass+teacup SUPPLEMENTS - Tasting Tea and Filming Tea JINGHONG ZHANG https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632790263572-PREG7TIM4F1A3VHHAUT1/Yellow+Certificate+from+the+Central+Board+of+Film+Certification+of+India SUPPLEMENTS - Censorship and Ethnographic Film HARJANT S. GILL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/baffa45b-37c0-40a5-a4c7-65ef20927f20/Buggenhagen.png SUPPLEMENTS - Portrait Photography in a Postcolonial Context BETH BUGGENAGEN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632795177737-WKLYWASSEQJKA74X7STF/a+lush+field+with+trees+is+crossed+by+a+barbed+wire+in+the+foreground SUPPLEMENTS - Auteurship and Image-Making ARJUN SHANKAR https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/361f01bf-7bfe-454f-b5ca-c796240c4e38/VAR312_suppl_Dattatreyan.png SUPPLEMENTS - Self-Fashioning and Collaborative Ethnography in the Digital Age ETHIRAJ GABRIEL DATTATREYAN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/f9307e62-a774-465d-8ac4-cd2783d64907/Scott_302.jpg SUPPLEMENTS - Reframing Anthropology Exhibitions for Contemporary Audiences MONIQUE SCOTT https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b0085746-83ee-45a4-8167-a499a96cf318/Powis2.jpg SUPPLEMENTS - Visual Representations of Masculinity in Dakar DICK POWIS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/36bb19fe-9ae6-4964-a271-d54b9dbcb804/SupplementDattatreyanGuillamon.jpg SUPPLEMENTS - Pedagogies of the Senses ETHIRAJ GABRIEL DATTATREYAN & ISAAC MARERRO-GUILLAMÓN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619206715119-57P3A87L9VEX3AOOCF28/02_Boellstorff.jpg SUPPLEMENTS - Paraethnographic Film TOM BOELLSTORFF https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1611186668568-AEDZXXKKE90UEFSSTZ7E/1.%09a+man+in+the+water+holds+a+baby+as+he+struggles+to+walk+off+an+orange+dingy+boat SUPPLEMENTS - Visual Regimes of Mobility PINELOPI TOPALI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590033318017-LW4YR3Y91JQW4VVLF34W/Fig_6.jpg SUPPLEMENTS - At Dalits’ Feet ANNA LAINE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590438098131-NOYR72GS6YZSR4NXX9CE/group+of+peole+wearing+traditional+clothing+and+holding+spears SUPPLEMENTS - The Ax Fight ANNA GRIMSHAW & SYDNEY SILVERSTEIN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1589664898152-4RO2HAUQUUTAKTSBX0HZ/var12192-fig-0005-m.jpg SUPPLEMENTS - Racialized Space AMBER REED https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594238014206-UH3WTXQ0L3BHWHJ27YPL/composite%2Bof%2Ba%2Bperson%2Bdressed%2Bin%2Bcoveralls%2Bwith%2Ba%2Blunch%2Bpail%2Band%2Ba%2Bbusiness%2Bsuit%2Bcarrying%2Ba%2Bbrief%2Bcase SUPPLEMENTS - Undercover Boss’s Travels ILANA GERSHON https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632344679441-V87F44BBOYR6EPXAE4PA/Margaret+Boko+painting+of+musicians+in+red+landscape SUPPLEMENTS - Moving Painting LISA STEFANOFF https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632346472556-DOHFQ73EEB6VYWMHSZM4/a+woman+with+a+camera+takes+a+photo+of+another+woman+in+Ghana SUPPLEMENTS - Doing the Snap LAURIAN R. BOWLES https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1633999977565-Z9VIYWKBILHWSV79QLR4/sadreorafai-hero-models-unsplash.jpg SUPPLEMENTS - Models, Measurement, and the Problem of Mediation STEPHANIE SADRE-ORAFAI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632798703122-V1PUJ56NOZ22C5PDH9R6/El+Khachab+image.png SUPPLEMENTS - Use of Intermediary Images in Egyptian Film Production CHIHAB EL KHACHAB https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/37d1d833-5de3-4da3-85eb-94b00e01f3a5/Kloos_tile_fixed.jpg SUPPLEMENTS - Future Archives and Everyday Life in Indonesia DAVID KLOOS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5fd5a5e4-ae6a-4933-b545-a6cae42f1469/Bray_suppl_312.jpeg SUPPLEMENTS - Anthropology with a Paintbrush ZOE BRAY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/0c74e9a3-fcff-4f12-896b-fbc233d93f54/hubbert_302_tank-man-of-tiananmen-square.jpg SUPPLEMENTS - The Iconicity and Reappropriation of Tank Man JENNIFER HUBBERT https://www.visualanthropologyreview.org/var361-suppl-laine daily 0.75 2020-07-06 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1591650031130-XPALT3XKC4B0KVV3V0V4/Photo+of+a+Dalit+woman%E2%80%99s+foot+and+a+photo+of+how+this+was+staged+in+collaboration+with+the+photographer%2Fresearcher Supplement Laine VAR 36.1 - Photo: Anna Laine and Jeya Sharma Photo: Anna Laine and Jeya Sharma https://www.visualanthropologyreview.org/var332-suppl-bessire daily 0.75 2020-07-06 https://www.visualanthropologyreview.org/var342-suppl-grimshaw-silverstein daily 0.75 2020-09-30 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590440320897-KMFEIZYIB9WB7BPZ8KRX/30253305_File000005_723192058-72dpi.jpg Supplement Grimshaw & Silverstein VAR 34.2 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590440115066-O3GV52WKKVPQ0RGFHC8L/30253305_File000007_723192262-72dpi.jpg Supplement Grimshaw & Silverstein VAR 34.2 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590440090485-572TW2D8AJRR1QHMBKZU/30253305_File000006_723192151-72dpi.jpg Supplement Grimshaw & Silverstein VAR 34.2 https://www.visualanthropologyreview.org/var342-suppl-canals daily 0.75 2020-09-30 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590491447941-M820B5P0B55815MFLMRZ/IMG_3277-640x375-1.jpg Supplement Canals VAR 34.2 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590491522286-QGVS4VEEE148BY83DWB1/A-Goddess-in-Motion-4_sm-940x528.png Supplement Canals VAR 34.2 A Goddess in Motion (Roger Canals, 2016, rocanals@gmail.com) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593630689874-E8HBXRDP8O7MU7KY5GTT/849d06ab78a177799c49085bee5a17af.png Supplement Canals VAR 34.2 Making home with five artists based in the UK (Anna Laine, 2014, anl@du.se) https://www.visualanthropologyreview.org/aims-scope daily 0.75 2024-12-30 https://www.visualanthropologyreview.org/webaccessibility daily 0.75 2024-12-30 https://www.visualanthropologyreview.org/var361 daily 0.75 2022-06-23 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590184191405-94NJGSPOE9XA5376CGYX/Cover+of+VAR+journal+with+bright+pink+background+and+image+of+a+woman+in+floral+top VAR 36.1 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593720686493-80KRTUBQPMD35XXO5H3B/pink+tinted+concrete+wall VAR 36.1 - Reframe, Redesign, Realign STEPHANIE SADRE-ORAFAI & FIONA P. MCDONALD https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1589734672445-YN6A1L8WOSO9ITQOZJGF/Zanele+Muholi%E2%80%99s+Somnyana+Ngonyama+Bester+B+2015 VAR 36.1 - Dark Play LEORA FARBER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1589734400095-QM414CVR5LOGRJPWBD0E/Two+people+in+an+art+gallery+sitting+at+a+table+wearing+headphones+and+looking+at+papers+on+a+desk VAR 36.1 - Ethnographic Installation and “the Archive” DEBRA VIDALI & KWAME PHILLIPS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1589734223034-QBOVWSAEKZTDUW4EHKMG/Young+child+with+hands+on+their+face+with+adults+in+background+in+summer VAR 36.1 - Looking for a “Now-Time” in Family Film Footage Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1593720631953-7YUDHR836K9L2K94KRKZ/peeling+pink+concrete+wall VAR 36.1 - Bodies of Archives / Archival Bodies: An Introduction GIULIA BATTAGLIA, JENNIFER CLARKE & FIONA SIEGENTHALER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1589733720859-E1183LBFNSM9YNNA269P/Anna+Laine+photo+of+a+Dalit+person%27s+feet+with+rings+on+toes+being+touch+by+hands VAR 36.1 - At Dalits’ Feet At Dalits’ Feet ANNA LAINE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590032657578-G45722MNFWBPX7PMDE6T/screen+shot+of+film+that+has+pink+tone+of+woman+in+floral+shirt VAR 36.1 - Anarchival Materiality in Film Archives TRUDI LYNN SMITH & KATE HENNESSY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590036206732-MCZ36VGQ5NO12S537U4R/headshot+of+Inuit+person+in+fur+clothing+with+frosty+moustache VAR 36.1 - An Alternative History of the Arctic SCOTT MACKENZIE & ANNA WESTERSTAHL STENPORT https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590075568705-001VNWZ99UXU3Y7GR1AZ/Book+Cover+of+How+the+Other+Half+Looks+with+Street+View+of+New+York+City VAR 36.1 - BOOK REVIEW How the Other Half Looks MARIA BRUJIC https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590075588187-6CWU1LVFTE77ROCVUXDF/Film+poster+with+screen+shot+of+desert+view VAR 36.1 - FILM REVIEW Solitary Land (Tierra Sola) F. PAGE MCLEAN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1589758352895-MXFGRP7LTNVB2TH7QDLM/View+of+inside+of+a+art+gallery+with+poster+reading+Fugitives+in+the+Archives VAR 36.1 - EXHIBITION REVIEW Fugitives in the Archives JENNIFER CLAIRE ROBINSON https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590075630724-O495XXN7KPCFM62U2I3X/Red+wall+in+gallery+with+mannequi%27s+installed+on+the+wall+displaying+hats+by+Pierre+Cardin VAR 36.1 - DIALOGUE Fashioning Inclusion, Designing Internationalism MATTHEW WEBB & MATTHEW YOKOBOSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1589733720859-E1183LBFNSM9YNNA269P/Anna+Laine+photo+of+a+Dalit+person%27s+feet+with+rings+on+toes+being+touch+by+hands VAR 36.1 - At Dalits’ Feet ANNA LAINE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1590201878239-4KVB7XC40POSLVM330L3/20140301_Trade-151_0124-copy.jpg VAR 36.1 - Ethnographic Installation and “the Archive” DEBRA VIDALI & KWAME PHILLIPS https://www.visualanthropologyreview.org/about daily 0.75 2024-12-30 https://www.visualanthropologyreview.org/guidelines-dialogues daily 0.75 2026-03-09 https://www.visualanthropologyreview.org/guidelines-old daily 0.75 2025-09-13 https://www.visualanthropologyreview.org/guidelines-special-sections daily 0.75 2026-03-09 https://www.visualanthropologyreview.org/guidelines-original-research-articles daily 0.75 2026-03-09 https://www.visualanthropologyreview.org/guidelines-the-page daily 0.75 2026-03-09 https://www.visualanthropologyreview.org/guidelines-reviews daily 0.75 2026-03-09 https://www.visualanthropologyreview.org/guidelines-virtual daily 0.75 2026-03-09 https://www.visualanthropologyreview.org/var352-suppl-gershon daily 0.75 2020-09-30 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594237123636-EL8C09VIRTVXFDZOTTS1/two+people+with+documents+and+reflective+jackets+observe+a+city+street Supplement Gershon VAR 35.2 Image source: https://www.standard.co.uk/news/town-hall-boss-goes-undercover-to-find-out-how-to-cut-50-million-6494845.html https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594237436940-VS6HW05LIGTEMJRIKK1E/person+on+commercial+fishing+boat+pulling+rope+and+screaming+while+others+are+dressed+in+orange+waterproof+suits Supplement Gershon VAR 35.2 Image source: https://www.imdb.com/title/tt0446809/fullcredits https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594236584933-QBFK5LADVWKHINFQW450/composite+of+a+person+dressed+in+coveralls+with+a+lunch+pail+and+a+business+suit+and+briefcase Supplement Gershon VAR 35.2 Image source: https://usa.newonnetflix.info/info/70157130 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1594237483151-9Y598TN6Y78BME4OTGNG/person+wearing+waterproof+overalls+holds+a+large+fish Supplement Gershon VAR 35.2 Image source: https://usa.newonnetflix.info/info/80118486 https://www.visualanthropologyreview.org/var352-suppl-reed daily 0.75 2022-07-21 https://www.visualanthropologyreview.org/call-for-co-editor-2025 daily 0.75 2025-08-11 https://www.visualanthropologyreview.org/var322-suppl-sutherland daily 0.75 2021-01-16 https://www.visualanthropologyreview.org/supplement-banfill-var-362 daily 0.75 2020-12-21 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608204264811-DGN91TIVVBOP6MRDR5C9/black+and+white+screen+grab+of+two+men+one+in+dark+clothes+the+other+in+a+white+cape Supplement Banfill VAR 36.2 Excerpts from old documentaries about the production and life of various ethnic groups in China (Anthropology film from the Institute of Ethnology and Anthropology, Chinese Academy of Social Sciences) https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608204422801-WYMDZB436BUPC6M24A5T/a+woman+in+a+blue+embroidered+dress+stands+in+a+field Supplement Banfill VAR 36.2 This field was a popular place where students wanted to have their photo taken. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608204470972-NTMJQSP26OZ4ETP583G3/mannequins+wearing+Nuoso+retro+outfits Supplement Banfill VAR 36.2 A collection of vintage and retro garments for sale at a boutique in Xichang City https://www.visualanthropologyreview.org/var362-suppl-topali daily 0.75 2021-11-02 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1611185217412-ZDP234JIVS590HM4YXGR/A+street+advertisement+for+two+photography+exhibitions%2C+one+on+migration+and+mobility+and+the+other+on+Le+Corbusier. Supplement Topali VAR 36.2 Photo: Pinelopi Topali https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1611185397793-HFY5MQ5YFEILMINMK3PB/A+pink+pant+suit+tied+to+a+chain+link+fence+so+it+hangs+upside+down. Supplement Topali VAR 36.2 Photo: Georgia-Agape Kypraiou https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1611185498658-O7Q0HITI7XBKJ74XTZ0A/A+a+slide+on+the+screen+of+a+laptop%2C+which+reads%3A+%E2%80%9CB.+Organize+a+photo+exhibition+%2F+Students+will+organize+a+photo+exhibition+in+Mytilene%2C+Lesvos+at+Bineio+building%E2%80%99s+ground+floor.%E2%80%9D Supplement Topali VAR 36.2 Photo: Pinelopi Topali https://www.visualanthropologyreview.org/var371-suppl-boellstorff daily 0.75 2021-04-26 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1617624160773-FLS9TIRTB9KRSL1DQBWC/In+the+virtual+world+of+Second+Life%2C+a+standing+female+avatar+visible+through+the+doorframe+of+a+film+stage+with+a+sign+over+the+entrance+that+reads+%E2%80%9CStage+1A%E2%80%9D%2C+and+a+partially+visible+avatar+to+her+right%2C+sitting Supplement Boellstorff VAR 37.1 The virtual stage. Frame grab from Our Digital Selves, 2018. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1617624212171-JJZG2CNS05GOUAYWMA4V/In+the+virtual+world+Second+Life%2C+Shyla+in+her+gecko+avatar%2C+standing+in+front+of+large+wooden+blocks+that+spell+out+%E2%80%9Cabandoned%2C%E2%80%9D+%E2%80%9Cpain%2C%E2%80%9D+and+%E2%80%9Cableism%2C%E2%80%9D+and+a+large+television+playing+Our+Digital+Selves. Supplement Boellstorff VAR 37.1 Shyla’s blocks. Frame grab from Our Digital Selves, 2018. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1617624301602-8COTVRIKMBE97V3Q1P6G/In+the+virtual+world+Second+Life%2C+Shyla+in+her+human+avatar%2C+wearing+a+back+brace+and+turned+away+from+the+camera%2C+facing+a+boy+avatar+with+his+hand+raised+and+a+shirt+reading+%E2%80%9CWarning%3A+Trouble.%E2%80%9D Supplement Boellstorff VAR 37.1 Shyla and the child. Frame grab from Our Digital Selves, 2018. https://www.visualanthropologyreview.org/var362 daily 0.75 2022-06-23 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608144932606-L05OFFEE2RF9AOSYPAUQ/Cover+of+VAR+with+purple+background+and+yellow+lettering+a+wet+bird+wing+on+a+paved+street+with+leaves VAR 36.2 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608145083464-B8O4AEF01AILLQETSNI1/grey+and+pink+concrete+with+white+painted+line VAR 36.2 - Empathy, Care, and Dialogue FIONA P. MCDONALD & STEPHANIE SADRE-ORAFAI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608145490883-00ZSC7R136VJW5KAG238/weathered+road+with+cracked+yellow+paint VAR 36.2 - Expanding the Role of the Book Review NATALIE UNDERBERG-GOODE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608145621090-1P6KQT4I46F3STKZWOO9/grey+concrete+with+white+straight+line+and+yellow+shapes+painted VAR 36.2 - Under Review EUGENIA KISIN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608145818565-55DSCRKIJ8PYVY0S45LD/wing+found+in+Bloomsbury+on+the+road+on+a+rainy+day VAR 36.2 - Commodity Violence Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608146142731-O0VQB13MGLN6WK19U8MT/A+fruit+packer+wearing+a+green+t-shirt%2C+white+and+green+scarf%2C+and+pink+visor+looks+over+their+shoulder+next+to+three+other+people+on+commercial+farm+in+North+Carolina. VAR 36.2 - Shifting the Contours of Public Engagement WILLIAM L. ALEXANDER MARY K. BRANNOCK & ANTHONY GUEVARA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608147919566-EBS2DCI9C0RXJJ3F2F8G/a+man+in+the+water+holds+a+baby+as+he+struggles+to+walk+off+an+orange+dingy+boat VAR 36.2 - Visual Regimes of Mobility PINELOPI TOPALI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608148659542-PM2EARXYISQ1QDH0LR1A/Two+sketches+of+the+alcove+with+two+ghost+scrolls+in+Manshu-in+where+photography+is+prohibited.+The+top+image+was+drawn+during+a+visit+on+June+14%2C+2017.+The+revised+version+below+is+based+on+the+first+sketch+and+photos+found+online.+Drawings+by+Can+Tamura. VAR 36.2 - The Ghost Scrolls of Manshu-in and Tokugen-in CAN TAMURA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608146664118-LTFAWHH1MMP6S0ECQPD1/A+hand+drawn+map+on+an+interior+wall VAR 36.2 - Cultivated Affects COLIN MCLAUGHLIN-ALCOCK https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608146814922-8GIJN7941KGP57TZNR2X/two+women+in+Nuosu+dresses%2C+holding+hands+and+looking+at+each+other VAR 36.2 - Retro Nuosu KAITLIN BANFILL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608146390127-GAWOGMIWM9SGV0PR7OQE/A+teenager+stands%2C+gesturing+with+a+finger+pointing+up%2C+in+a+living+room+surrounded+by+three+members+of+her+family%2C+all+of+whom+are+seated+and+watching+the+father+who+is+talking+and+gesturing+with+his+hand+and+eyebrows+raised. VAR 36.2 - En Mi Casa Quiero Señas ANNE E. PFISTER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608149015539-5FQW2UJ68OIJ8W9ZSBN1/Back%3A+Cs%C3%A1ng%C3%A1l%C3%B3+plays+with+his+son+Tocsila+at+the+funeral+wake+of+his+mother.+Front%3A+two+women+%28Cs%C3%A1ng%C3%A1l%C3%B3%E2%80%99s+sisters%29+cry. VAR 36.2 - Between Film and the World FILIPPO BONINI BARALDI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608149167413-56Z4DL55CM9Z2YJ2JQI9/A+woman+sits+on+the+edge+of+her+bed+laughing+at+the+television. VAR 36.2 - THE PAGE Living at the LUX LINDSAY RAISA FELDMAN MICHAEL VICENTE PÉREZ https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608149833165-8HE3CJ18GGP1NMD6D2RL/A+man+in+a+blue+shirt+with+his+mouth+open+singing+stands+next+to+a+man+playing+a+bagpipe+%28Nicola+Scaldaferri%29.+Another+man+%28Steven+Feld%29+crouches+behind+them+wearing+DSM+microphones+on+his+head+to+record+the+audio. VAR 36.2 - DIALOGUE Resounding Participatory Ethnography PANAYOTIS PANOPOULOS NICOLA SCALDAFERRI & STEVEN FELD https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608151074966-00LEKM2TYCDL13I9EXAJ/green+tinted+photograph+of+soldiers+holding+up+posters VAR 36.2 - BOOK REVIEW Guerrilla Marketing ALEJANDRO JARAMILLO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608151114788-WFIXMJ8BO4PF96NDBYWB/drawn+image+of+two+girls+smiling+with+leaves+in+the+background VAR 36.2 - BOOK REVIEW Lissa LIAM ESPINOZA-ZEMLICKA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608151299277-R9ISBL8W7GCX1S9T7H7O/Fireworks+in+the+night+sky+over+teepees+and+parked+cars+in+an+open+space VAR 36.2 - FILM REVIEW Dislocation Blues SANDER HOLGSENS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608150282369-Z7FVWAZOOLX6LU8QA5S0/A+person+in+a+black+tank+top+and+red+patterned+skit+stands+in+the+foreground+with+one+hand+on+their+hip%2C+holding+a+camera%2C+and+the+other+by+their+mouth+as+if+shouting.+A+person+a+few+feet+behind+them+in+billowing+gray+and+blue+patterned+pants%2C+a+purple+tank+top%2C+and+black+embellished+scarf+stands+with+one+hand+on+their+hip+and+the+other+outstretched+by+their+ear.+Both+stand+in+front+of+a+brown+sheet+taped+to+the+side+of+a+building+with+corrugated+metal+walls. VAR 36.2 - FILM REVIEW Jaddoland NATALIE NESVADERANI & MIASARAH LAI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608150679613-GRBE4XM9BR1KRT0DBYZV/Detail+of+one+of+artist+Virgil+Ortiz%E2%80%99s+Venutian+Soldiers%2C+photographed+with+an+illusion+of+depth.+A+mannequin+is+outfitted+in+a+gasmask%2C+leather+cap%2C+mohawk%2C+and+feather+on+its+head+with+coils+wrapped+around+its+neck+and+metallic+sequin+paillettes+down+its+back+with+a+bodice+made+of+purple+confetti+dot+sequin+fabric. VAR 36.2 - EXHIBITION REVIEW Indigenous Futurisms LILLIA MCENANEY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1611186668568-AEDZXXKKE90UEFSSTZ7E/1.%09a+man+in+the+water+holds+a+baby+as+he+struggles+to+walk+off+an+orange+dingy+boat VAR 36.2 - Visual Regimes of Mobility PINELOPI TOPALI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608146814922-8GIJN7941KGP57TZNR2X/two+women+in+Nuosu+dresses%2C+holding+hands+and+looking+at+each+other VAR 36.2 - Retro Nuosu KAITLIN BANFILL https://www.visualanthropologyreview.org/var371 daily 0.75 2022-06-23 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619205323487-R6KUVDK98CWJL2SXPBDQ/pink+cover+with+map+with+threaded+and+traced+overlays VAR 37.1 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619205953931-CE3PP8XUG2JPHQS9WQGK/green+and+pink+glitch VAR 37.1 - Collaborative Futures in Visual Anthropology FIONA P. MCDONALD, STEPHANIE SADRE-ORAFAI & DARCIE DEANGELO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619206715119-57P3A87L9VEX3AOOCF28/a+female+avatar+in+the+virtual+world+Second+Life%2C+a+cloth+wrapped+under+her+chin+and+around+her+forehead%2C+in+a+doctor%E2%80%99s+office VAR 37.1 - Paraethnographic Film Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619206857357-KNZ4WY4O49MSNY8DBT3J/Dressed+in+white+clothing%2C+four+people%2C+two+men+and+two+women+stand+side+by+side%2C+facing+the+camera.+The+title+%E2%80%9CT%C3%A1+Bom+Pra+Voc%C3%AA%E2%80%9D+and+%E2%80%9CCanal+Esquina%E2%80%9D+hovers+above+them.+Screenshot+from+%E2%80%9CIs+That+OK+With+You%3F%E2%80%9D VAR 37.1 - Digital Protest Images in Afro-Brazilian Media REIGHAN GILLAM https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619207080614-362VDXCL538MMH6YASJU/artistic+%E2%80%9COrb%C3%A1n+egy+geci%E2%80%9D+graffiti VAR 37.1 - Internet Memes as Protest Media GABRIELLE LUKÁCS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619209014126-VZCPJHFE066WB406X7W6/06_Ozkan.jpg VAR 37.1 - Producing Journalistic Authority in Turkey NAZLı ÖZKAN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619207638621-8GEGZWV9D76YW7SHNRXV/08_Mitchell.jpg VAR 37.1 - Notes from the Red Carpet SED MITCHELL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619207142653-Z5U2ZDI0LLWTX08YX3CF/1.%09White+propaganda+poster+with+12+Core+Socialist+Values%2C+covering+a+construction+site.+Man+on+bike+in+front. VAR 37.1 - Visual Politics in Contemporary China AARON SU https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619209048502-A2EOOLJVVK83SAZ88PQV/07_Martin.jpg VAR 37.1 - Anthropology’s Prophecy for #MeToo SYLVIA J. MARTIN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619207725263-LGGJM86L8JGCF2UDJA19/09_Bartlett.jpg VAR 37.1 - THE PAGE In Galleries and Beer Cans FLORA MARY BARTLETT https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619207867909-TCSR8UM1GXY434VRIX1F/10_FloodZone.jpg VAR 37.1 - BOOK REVIEW FloodZone BRIAN F. O’NEILL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619207929936-U2O592S5UB6GI6JIGK83/11_AnthropologyInsideOut.jpg VAR 37.1 - BOOK REVIEW Anthropology Inside Out CAMILO LEON-QUIJANO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619207983053-MLMRIFTL7U7XZFTQHDCX/12_AboutLoveonaSmallIsland.png VAR 37.1 - FILM REVIEW About Love on a Small Island RIMPLE MEHTA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619208308384-3YOJY4UI1SLBYDRHNV7A/13_Flox.png VAR 37.1 - FILM REVIEW Flox MANCA FILAK https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619208392608-G3WTD6CX5NUA84HBWI71/14_Isuma.jpg VAR 37.1 - EXHIBITION REVIEW Transgressing the Exhibition SOPHIE ANNA HOLZBERGER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619206715119-57P3A87L9VEX3AOOCF28/02_Boellstorff.jpg VAR 37.1 - Paraethnographic Film TOM BOELLSTORFF https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619209014126-VZCPJHFE066WB406X7W6/06_Ozkan.jpg VAR 37.1 - Producing Journalistic Authority in Turkey NAZLı ÖZKAN https://www.visualanthropologyreview.org/var371-suppl-ozkan daily 0.75 2021-04-26 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1619393818343-KOUYDBY636CRPH7J0K5C/unsplash-image-6vw_O9R4zf4.jpg Supplement Özkan VAR 37.1 https://www.visualanthropologyreview.org/var332-suppl-ferrarini daily 0.75 2023-04-25 https://www.visualanthropologyreview.org/var331-suppl-gill daily 0.75 2021-12-15 https://www.visualanthropologyreview.org/var341-suppl-stefanoff daily 0.75 2021-12-15 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334713456-FMW4KG9HLTCQQ6UM2EQS/Margaret+Boko+painting+of+cars+and+people+under+stars Supplement Stefanoff VAR 34.1 ‘What Wrong with This Car?’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 300 x 900 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334831724-LFOQ0ZC3FFZJPL5PGHDL/Margaret+Boko+painting+of+a+person+digging+outside+a+house Supplement Stefanoff VAR 34.1 - Make it stand out ‘My Outstation, Margaret Boko 2012,’ © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 130 x 370 mm Acrylic on Wood https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334903063-6YMX1P26ZOUZFIMPQ781/Margaret+Boko+painting+of+a+bus%2C+streets%2C+and+the+coast Supplement Stefanoff VAR 34.1 - Make it stand out ‘Our Trip to Darwin [2011],’ Margaret Boko 2011, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 400 x 1200 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334966416-5N8VJ3TVD89C0IVEERJK/Margaret+Boko+painting+of+people+on+a+picnic+and+cars+driving+on+a+road Supplement Stefanoff VAR 34.1 - Make it stand out ‘Picnic at Jay Creek,’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 300 x 900 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335028689-LJ8OKEBNJQSM2F1F7KM3/Margaret+Boko+painting+of+people+and+a+house+on+a+red+background Supplement Stefanoff VAR 34.1 - Make it stand out ‘Palya Nyinani Pintamerlani,’ Margaret Boko 2011, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 300 x 900 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335087167-PWDZI4B5JHQAWCN2GAOG/Margaret+Boko+painting+of+a+man+chasing+seven+women+across+a+field+of+flowers Supplement Stefanoff VAR 34.1 - Make it stand out ‘Old Man Chasing Seven Sisters,’ Margaret Boko 2013, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 250 x 500 mm Acrylic on Wood https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335373513-DBFO7A63F0URN46VAJ7N/Margaret+Boko+painting+of+birds+playing+with+a+plastic+bag+in+the+sky+over+a+landscape Supplement Stefanoff VAR 34.1 - Make it stand out ‘Tjulpu and Tjitji,’ Margaret Boko 2013, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 1200 x 1950 mm Acrylic on Linen https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335479625-5YXE3IRG5L7ZLVKA82EQ/Margaret+Boko+painting+of+two+women+in+a+car+driving+past+a+line+of+people Supplement Stefanoff VAR 34.1 - Make it stand out ‘Two Women,’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 300 x 300 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335561289-H4LATW15CXHB9GY9CN1O/Margaret+Boko+painting+of+people+walking+along+city+streets+and+inside+buildings Supplement Stefanoff VAR 34.1 - Make it stand out ‘CAAMA: This is me and Elizabeth, my daughter, talking on radio about my painting,’ Margaret Boko 2014, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 300 x 300 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335804490-II3KP7L797HJ3S219AQC/Margaret+Boko+painting+of+four+people+among+five+large+white+flowers Supplement Stefanoff VAR 34.1 - Make it stand out ‘Wati Kutjarra [Two Men],’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 550 x 600 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632344679441-V87F44BBOYR6EPXAE4PA/Margaret+Boko+painting+of+musicians+in+red+landscape Supplement Stefanoff VAR 34.1 - Make it stand out Samson and Delilah,’ Margaret Boko 2012, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 930 x 1400 mm Acrylic o‘n Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335952369-SZNMFID1LTW5JE8HLP39/Margaret+Boko+painting+of+three+scenes+including+people%2C+a+bus%2C+and+vegetation+under+a+blue+sky Supplement Stefanoff VAR 34.1 - Make it stand out ‘Wangkanyi Tjukurrpa [Talking About Tjukurrpa],’ Margaret Boko 2011, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 710 x 1230 mm Acrylic on Metal https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632336164987-P9P9FEVXQXRGJSI7LOET/Margaret+Boko+painting+of+people+gathered+in+groups+beside+a+mountain+range+and+a+road Supplement Stefanoff VAR 34.1 - Make it stand out ‘Lots of Stories,’ Margaret Boko 2012, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 450 x 900 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334797504-MST6DTVJ1CSZ0D0CYGMH/Margaret+Boko+painting+of+kids+jumping+on+cars Supplement Stefanoff VAR 34.1 ‘Kids Jumping on Cars,’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 130 x 390 mm Acrylic on Metal https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334875294-4TI74F0X9W86DIKTTE11/Margaret+Boko+painting+of+people+under+rain+clouds Supplement Stefanoff VAR 34.1 - Make it stand out ‘White People and Black People Walk Around Get Wet. We All Happy.’ Margaret Boko 2011, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 900 x 1220 mm Acrylic on Linen https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334934180-UZWN9M7C58FT04C4QFNF/Margaret+Boko+painting+of+secondhand+clothes+laid+out+on+a+pink+background Supplement Stefanoff VAR 34.1 - Make it stand out ‘Second Hand Shopping,’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 300 x 900 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335003242-PW1NHC7VJHSKKOXRXIJA/Margaret+Boko+painting+of+bush+stories+including+kangaroos%2C+people%2C+and+trees Supplement Stefanoff VAR 34.1 - Make it stand out ‘Three Different Stories from the Bush,’ Margaret Boko 2011, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 400 x 1200 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335051431-D39YSUQM26E18X7BO5JL/Margaret+Boko+painting+of+people+camping+and+watching+fireworks Supplement Stefanoff VAR 34.1 - Make it stand out ‘Fireworks, Camping at Uluru,’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 750 x 1200 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335136343-QDVF81QSMKB2TVT69QVK/Margaret+Boko+painting+of+people+visiting+the+mountains+next+to+black+and+white+imagery Supplement Stefanoff VAR 34.1 - Make it stand out ‘Dead Heart at Jay Creek,’ Margaret Boko 2012, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 600 x 900 mm Acrylic on Linen https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335430977-ZB72SJZMT3M2QY21GL14/Margaret+Boko+painting+of+herself+seated+and+painting Supplement Stefanoff VAR 34.1 - Make it stand out ‘Self Portrait,’ Margaret Boko 2013, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 600 x 800 mm Acrylic Pen on Wood https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335529429-UNW9DYDGEC4W2ST7BVA5/Margaret+Boko+painting+of+a+bird+picking+up+and+dropping+a+small+dog+while+children+watch Supplement Stefanoff VAR 34.1 - Make it stand out ‘Tjulpu Papa (Hawk and Dog),’ Margaret Boko 2013, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 300 x 300 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335776212-NY696Y342XH95MLGCY5E/Margaret+Boko+painting+of+people+and+cars+on+a+pink+background+and+large+orange+shape Supplement Stefanoff VAR 34.1 - Make it stand out ‘Whitefella Kalpanyi Mutitjulu,’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 400 x 550 mm Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335833050-X1HQLTNI8OFQ04AEVL9W/Margaret+Boko+painting+of+people+around+a+fire+surrounded+by+vegetation+and+mountains Supplement Stefanoff VAR 34.1 - Make it stand out ‘Smoking New Born Baby,’ Margaret Boko 2010, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632335926367-TYOF3MUSPP1463G1NF0X/Margaret+Boko+painting+of+people+on+a+riverbank+dancing+near+some+houses Supplement Stefanoff VAR 34.1 - Make it stand out ‘Tjitji Inkarni Warumpi Band [Kids Dancing to Warumpi Band],’ Margaret Boko 2013, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 450 x 900 mm Acrylic on Linen https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632336187279-72G0AVOZE3IJC7IAP8AN/Margaret+Boko+painting+of+multiple+groups+of+people Supplement Stefanoff VAR 34.1 - Make it stand out ‘Dead Heart,’ Margaret Boko 2012, © the Artist and Tangentyere Artists, courtesy of Tangentyere Artists. 1500 x 2000 mm Acrylic on Linen https://www.visualanthropologyreview.org/var332-suppl-bowles daily 0.75 2021-12-15 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/71851f40-1b30-4f42-826f-cdbeb1df3881/bowles-image2.jpg Supplement Bowles VAR 33.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.visualanthropologyreview.org/var332-suppl-zhang daily 0.75 2021-12-15 https://www.visualanthropologyreview.org/var331-suppl-buggenhagen daily 0.75 2021-12-15 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/6c8e79df-afee-4259-aeab-9ae6d966ae07/Buggenhagen2.jpg Supplement Buggenhagen VAR 33.1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.visualanthropologyreview.org/var322-suppl-sadreorafai daily 0.75 2021-12-15 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1633999977565-Z9VIYWKBILHWSV79QLR4/thin+fashion+models+of+diverse+ethnicities+walk+on+a+white+runway Supplement Sadre-Orafai VAR 32.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.visualanthropologyreview.org/var322-suppl-elkhachab daily 0.75 2021-12-15 https://www.visualanthropologyreview.org/var322-suppl-shankar daily 0.75 2021-12-15 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632795057835-DT6HV5H3DZDG7YW7CVZ4/Black+and+white+photo+of+a+a+man+and+several+children+standing+under+a+corrugated+metal+porch+roof%2C+with+a+child%27s+shirt+and+a+bottle+crate+in+red Supplement Shankar VAR 32.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632795243404-TB35F2P51UPLVGB3XLWI/A+hooved+animal+with+sloping+horns+stands+alone+atop+a+barren+hill+crest+in+the+dim+light+of+dawn+or+dusk Supplement Shankar VAR 32.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632795113473-2P1G0FK9YTZG34FALYZZ/A+bicycle+with+colorful+tassels+and+a+trident+ornament+attached+to+it Supplement Shankar VAR 32.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632795177737-WKLYWASSEQJKA74X7STF/A+lush+field+with+trees+is+crossed+by+a+barbed+wire+in+the+foreground Supplement Shankar VAR 32.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632795228874-AJ35IDCRFKY1Y6ODVQFJ/A+palm+tree+against+a+vibrant+blue+sky Supplement Shankar VAR 32.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632795133501-T4NW0TVU8JZ1NQ2EN0GG/Black+and+white+photo+of+the+legs+and+feet+of+four+Black+children%2C+three+of+whom+are+wearing+tall+white+socks Supplement Shankar VAR 32.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.visualanthropologyreview.org/call-for-reviews daily 0.75 2024-07-01 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632843566837-14M5NEHWVCTWVWIFX7PX/Screen+Shot+2021-09-28+at+10.39.14+AM.png CALL FOR REVIEWS - The Globally Familiar: Digital Hip Hop, Masculinity, and Urban Space in Delhi. Ethiraj Gabriel Dattatreyan, Duke University Press, 2020. In The Globally Familiar Ethiraj Gabriel Dattatreyan traces how the rapid development of information and communication technologies in India have created opportunities for young people to creatively explore their gendered, classed, and racialized subjectivities in and through transnational media worlds. His ethnography focuses on a group of diverse young, working-class men in Delhi as they take up the African diasporic aesthetics and creative practices of hip hop. Dattatreyan shows how these aspiring b-boys, MCs, and graffiti writers—as they fashion themselves and their city as familiar through their online and offline experimentations with hip hop—access new social, economic, and political opportunities while acting as consumers, producers, and influencers in global circuits of capitalism. In so doing, Dattatreyan outlines how the hopeful, creative, and vitally embodied practices of hip hop offer an alternative narrative of urban place-making in ‘digital’ India. Ready to pitch? Contact Natalie Underberg-Goode, natalie.underberg-goode@ucf.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1634766533056-PGC3SH3JPLK9AHVD4TVL/Screen+Shot+2021-09-22+at+12.45.23+PM.png CALL FOR REVIEWS - Critical Zones: Observatories for Earthly Politics “Over a period of several months ZKM will host an exhibition conceived as a scale model to simulate the spatial novelty of this new land as well as the diversity of relations between the life forms inhabiting it. It will serve as an OBSERVATORY OF CRITICAL ZONES allowing visitors to familiarize themselves with the new situation. This special combination of thought experiment and exhibition was developed by Peter Weibel and Bruno Latour in their previous collaborations at ZKM. »Iconoclash« in 2002, »Making Things Public« in 2005, and »Reset Modernity!« in 2016 constitute the three former »thought exhibitions« (Gedankenausstellungen) that resulted from their intensive working relationship which now spans twenty years.” https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632843459511-Y9I3L9PFK82ROOFVL2UP/Screen+Shot+2021-09-28+at+10.36.52+AM.png CALL FOR REVIEWS - To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes. Edited by Ilisa Barbash, Molly Rogers, and Deborah Willis. Aperture and Peabody Press, 2020. To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty―men and women of African descent who were enslaved in South Carolina. Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects. With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. Ready to pitch? Contact Natalie Underberg-Goode, natalie.underberg-goode@ucf.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334455415-V9X09T796AYP8LOEAI9Y/Screen+Shot+2021-09-22+at+1.13.55+PM.png CALL FOR REVIEWS - Ready Mix https://www.diaart.org/exhibition/exhibitions-projects/lucy-raven-exhibition/ “Ready Mix (2021) is an immersive installation featuring a forty-five-minute film shot over two years at a concrete plant in central Idaho. Together, these projects address the formation, depiction, and surveillance of landscapes and civic spaces, proposing abstraction as a tool for (re)perceiving these sites.” By artist Lucy Raven. Ready to pitch? Contact Eugenia Kisin, eugenia.kisin@nyu.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632843168870-C6QKH1L7976QR17MMU4V/Screen+Shot+2021-09-28+at+10.31.49+AM.png CALL FOR REVIEWS - Return Engagements: Contemporary Art's Traumas of Modernity and History in Sài Gòn and Phnom Penh. By Viet Lê. Duke University Press, 2021. In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art. Ready to pitch? Contact Natalie Underberg-Goode, natalie.underberg-goode@ucf.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334103938-SMYZ4VOWX9TWLQGL3BBO/Screen+Shot+2021-09-22+at+1.07.53+PM.png CALL FOR REVIEWS - Plastic Heart: Surface All the Way Through https://artmuseum.utoronto.ca/exhibition/plastic-heart/ “Ahead of the promise of a nationwide ban on single-use plastics, this experimental exhibition examines plastic as art material, cultural object, geologic process, petrochemical product, and a synthetic substance fully entangled with the human body. The exhibition includes new commissions, historical and contemporary artworks that relate to plastic as a politically-loaded material and investigations into the paradoxes of plastic conservation in museum collections. It also features data visualizations of a study conducted by the Synthetic Collective that provides a first-ever snapshot of post-industrial microplastics pollution on the shores of all the Great Lakes. This exhibition links scientific and artistic methodologies to show how arts-based approaches to thinking and working can make viable contributions to environmental science and activism.” Ready to pitch? Contact Eugenia Kisin, eugenia.kisin@nyu.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1634769277332-R3TGHLUOC3LCI5XP5V61/9781487524807_l.jpg CALL FOR REVIEWS - Art of Captivity / Arte Del Cautiverio. By Kevin O’Neill and Benjamin Fogarty-Valenzuela. University of Toronto Press, 2020. From the author’s website: Through a series of rich photographs, Art of Captivity / Arte del Cautiverio tells a compelling story about the war on drugs in Central America. This bilingual book focuses on the country of Guatemala and its Pentecostal drug rehabilitation centers. It explores these centers as architectural forms, while also showcasing the cultural production that takes place inside them, including drawings and letters created by those held captive. This stunning work of visual ethnography humanizes those held inside these centers, breaks down stereotypes about drug use, and sets the conditions for a hemispheric conversation about prohibitionist practices – by revealing intimate portraits of a population held hostage by a war on drugs. Ready to pitch? Contact Natalie Underberg-Goode, natalie.underberg-goode@ucf.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/74f204e8-e66e-4e1e-b4c4-d240c3fc3287/THOUSANDPINE_KeyArt_864x1280_Clean-405x600.png CALL FOR REVIEWS - A Thousand Pines. dir. Noam Osband & Sebastián Diaz, A Thousand Pines Film LLC, 2023. A Thousand Pines shows the lives of migrants who depend on the controversial guest worker visa program, following a crew of workers from Oaxaca, Mexico over the course of a season planting trees throughout the United States. The crew struggles to balance the job’s physical demands and its extreme isolation while remaining connected to their families back home. As the season progresses, they become a small family, cooking and caring for each other in order to endure the punishing work. The film centers on the crew foreman, Raymundo Morales, who is in his 19th season working for the largest reforestation company in the US. When he began, he was single and had few responsibilities. Now, however, he must balance his obligations to his wife, his children, and his elderly mother with a heart condition, while also tending to the needs and emergencies of the planting crew. Spending only three months at home during the off-season, Raymundo’s job is both the family’s salvation and its heartbreak. Ready to pitch? Contact Eugenia Kisin, eugenia.kisin@nyu.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1634766533056-PGC3SH3JPLK9AHVD4TVL/Screen+Shot+2021-09-22+at+12.45.23+PM.png CALL FOR REVIEWS - Critical Zones: Observatories for Earthly Politics “Over a period of several months ZKM will host an exhibition conceived as a scale model to simulate the spatial novelty of this new land as well as the diversity of relations between the life forms inhabiting it. It will serve as an OBSERVATORY OF CRITICAL ZONES allowing visitors to familiarize themselves with the new situation. This special combination of thought experiment and exhibition was developed by Peter Weibel and Bruno Latour in their previous collaborations at ZKM. »Iconoclash« in 2002, »Making Things Public« in 2005, and »Reset Modernity!« in 2016 constitute the three former »thought exhibitions« (Gedankenausstellungen) that resulted from their intensive working relationship which now spans twenty years.” https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632843459511-Y9I3L9PFK82ROOFVL2UP/Screen+Shot+2021-09-28+at+10.36.52+AM.png CALL FOR REVIEWS - To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes. Edited by Ilisa Barbash, Molly Rogers, and Deborah Willis. Aperture and Peabody Press, 2020. To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty―men and women of African descent who were enslaved in South Carolina. Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects. With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. Ready to pitch? Contact Natalie Underberg-Goode, natalie.underberg-goode@ucf.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334455415-V9X09T796AYP8LOEAI9Y/Screen+Shot+2021-09-22+at+1.13.55+PM.png CALL FOR REVIEWS - Ready Mix https://www.diaart.org/exhibition/exhibitions-projects/lucy-raven-exhibition/ “Ready Mix (2021) is an immersive installation featuring a forty-five-minute film shot over two years at a concrete plant in central Idaho. Together, these projects address the formation, depiction, and surveillance of landscapes and civic spaces, proposing abstraction as a tool for (re)perceiving these sites.” By artist Lucy Raven. Ready to pitch? Contact Eugenia Kisin, eugenia.kisin@nyu.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632843168870-C6QKH1L7976QR17MMU4V/Screen+Shot+2021-09-28+at+10.31.49+AM.png CALL FOR REVIEWS - Return Engagements: Contemporary Art's Traumas of Modernity and History in Sài Gòn and Phnom Penh. By Viet Lê. Duke University Press, 2021. In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art. Ready to pitch? Contact Natalie Underberg-Goode, natalie.underberg-goode@ucf.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1632334103938-SMYZ4VOWX9TWLQGL3BBO/Screen+Shot+2021-09-22+at+1.07.53+PM.png CALL FOR REVIEWS - Plastic Heart: Surface All the Way Through https://artmuseum.utoronto.ca/exhibition/plastic-heart/ “Ahead of the promise of a nationwide ban on single-use plastics, this experimental exhibition examines plastic as art material, cultural object, geologic process, petrochemical product, and a synthetic substance fully entangled with the human body. The exhibition includes new commissions, historical and contemporary artworks that relate to plastic as a politically-loaded material and investigations into the paradoxes of plastic conservation in museum collections. It also features data visualizations of a study conducted by the Synthetic Collective that provides a first-ever snapshot of post-industrial microplastics pollution on the shores of all the Great Lakes. This exhibition links scientific and artistic methodologies to show how arts-based approaches to thinking and working can make viable contributions to environmental science and activism.” Ready to pitch? Contact Eugenia Kisin, eugenia.kisin@nyu.edu. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1634769277332-R3TGHLUOC3LCI5XP5V61/9781487524807_l.jpg CALL FOR REVIEWS - Art of Captivity / Arte Del Cautiverio. By Kevin O’Neill and Benjamin Fogarty-Valenzuela. University of Toronto Press, 2020. From the author’s website: Through a series of rich photographs, Art of Captivity / Arte del Cautiverio tells a compelling story about the war on drugs in Central America. This bilingual book focuses on the country of Guatemala and its Pentecostal drug rehabilitation centers. It explores these centers as architectural forms, while also showcasing the cultural production that takes place inside them, including drawings and letters created by those held captive. This stunning work of visual ethnography humanizes those held inside these centers, breaks down stereotypes about drug use, and sets the conditions for a hemispheric conversation about prohibitionist practices – by revealing intimate portraits of a population held hostage by a war on drugs. Ready to pitch? Contact Natalie Underberg-Goode, natalie.underberg-goode@ucf.edu. https://www.visualanthropologyreview.org/var372-suppl-spray daily 0.75 2021-12-15 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1634407571386-D0M2NP895E1CDDGTDTA9/line+drawing+of+two+people+drawing+at+a+desk Supplement Spray VAR 37.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1634408475869-R59TE0M49BGJRDQBYCRH/line+drawing+illustrating+steps+for+drawing+simple+characters%2C+starting+with+a+head+and+body%2C+then+adding+face+and+limbs%2C+then+adding+detail+and+embellishment Supplement Spray VAR 37.2 - Make it stand out Ivan Brunetti style character drawing, illustrated by Lynda Barry. Excerpted from Barry, Lynda. 2019. Making Comics. Montreal: Drawn and Quarterly, page 39. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1634406881983-980BJ7581A30TI45QCRF/illustrated+tips+for+Julie+Spray%27s+method+of+%22drawing+together%22+featuring+hand-drawn+images+of+children+and+adults+drawing+pictures Supplement Spray VAR 37.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1633991200845-6IIRAEEWP4W43049XCMI/illustrated+tips+for+Julie+Spray%27s+method+of+%22drawing+together%22+featuring+hand-drawn+images+of+children+and+adults+drawing+pictures Supplement Spray VAR 37.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.visualanthropologyreview.org/var372-suppl-powis daily 0.75 2021-12-15 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/f4f3bd10-1e76-434a-855d-950eed3936ab/10_Powis_THEPAGE.jpeg Supplement Powis VAR 37.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/a153e9ab-bd87-4f38-aa4a-e3aa5f0e8bc6/nfdm-4.jpg Supplement Powis VAR 37.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.visualanthropologyreview.org/var372-suppl-dattatreyan-marerroguillamon daily 0.75 2023-04-25 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c9f0e4d3-ca8e-4fe0-bc9b-9d5f542e567e/SupplementDattatreyanGuillamon.gif Supplement Dattatreyan and Marerro-Guillamón VAR 37.2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.visualanthropologyreview.org/virtual-issue-1 daily 0.75 2021-11-20 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636161432979-HRK0UGT5384I71JPTXKT/Screen+Shot+2021-11-03+at+4.48.01+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637349043147-RLW02VGJVN0IJ1X9ND9H/Screen+Shot+2021-11-12+at+10.59.02+AM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636037627021-6MXJIXQNQNHNVIDH9DHA/Screen+Shot+2021-11-04+at+10.52.56+AM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Shared Histories of Sight Alonso Gamarra & D.J. Trischler https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635974408136-OKLYKWO27S3WWUE4TJQ1/Screen+Shot+2021-11-02+at+5.13.34+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design Visual Politics & Environmental Communication Muhammad Rahman https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635973671318-L6Z1CDU87TQ6X808ZICY/Screen+Shot+2021-11-03+at+5.07.39+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design Design, Empiricism, and Deaf Visual Cultures Andrew McGrath https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636159140798-N5U2ELVI722AHPPEM5I4/Screen+Shot+2021-11-03+at+5.38.41+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Types and Categories: Two Ways of Seeing and Knowing Matthew Wizinsky https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636037679843-XYGMF0W6WX7IZTC5NUPM/Screen+Shot+2021-11-04+at+10.51.04+AM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636037627021-6MXJIXQNQNHNVIDH9DHA/Screen+Shot+2021-11-04+at+10.52.56+AM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637355666822-SP5EO4NUKBBSFO0X6JRI/Screen+Shot+2021-11-19+at+4.00.43+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635974408136-OKLYKWO27S3WWUE4TJQ1/Screen+Shot+2021-11-02+at+5.13.34+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635973671318-L6Z1CDU87TQ6X808ZICY/Screen+Shot+2021-11-03+at+5.07.39+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635973379083-W3YOLY5VL9I48KYU4DI3/Screen+Shot+2021-11-03+at+5.01.33+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608145818565-55DSCRKIJ8PYVY0S45LD/01_Jain.jpg Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635975596375-EHK6YQZOGSZ1BMQDPTGQ/Screen+Shot+2021-11-03+at+5.38.41+PM.png Virtual Issue 1. Sympathetic Resonance: Visual Anthropology & Visual Communication Design - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.visualanthropologyreview.org/virtual-issue-1-1 daily 0.75 2021-11-20 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636037679843-XYGMF0W6WX7IZTC5NUPM/Screen+Shot+2021-11-04+at+10.51.04+AM.png Shared Histories of Sight - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636037627021-6MXJIXQNQNHNVIDH9DHA/Screen+Shot+2021-11-04+at+10.52.56+AM.png Shared Histories of Sight - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg Shared Histories of Sight - Make it stand out Sympathetic Resonance: Visual Anthropology and Visual Communication Design Edited by Alonso Gamarra, Andrew McGrath, Muhammad Rahman, and Matthew Wizinsky https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635974408136-OKLYKWO27S3WWUE4TJQ1/Screen+Shot+2021-11-02+at+5.13.34+PM.png Shared Histories of Sight Visual Politics & Environmental Communication Muhammad Rahman https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635973671318-L6Z1CDU87TQ6X808ZICY/Screen+Shot+2021-11-03+at+5.07.39+PM.png Shared Histories of Sight Design, Empiricism, and Deaf Visual Cultures Andrew McGrath https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636159140798-N5U2ELVI722AHPPEM5I4/Screen+Shot+2021-11-03+at+5.38.41+PM.png Shared Histories of Sight - Make it stand out Types and Categories: Two Ways of Seeing and Knowing Matthew Wizinsky https://www.visualanthropologyreview.org/virtual-issue-1-3 daily 0.75 2021-11-20 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635973671318-L6Z1CDU87TQ6X808ZICY/Screen+Shot+2021-11-03+at+5.07.39+PM.png Design, Empiricism, and Deaf Visual Cultures - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635973379083-W3YOLY5VL9I48KYU4DI3/Screen+Shot+2021-11-03+at+5.01.33+PM.png Design, Empiricism, and Deaf Visual Cultures - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg Design, Empiricism, and Deaf Visual Cultures Sympathetic Resonance: Visual Anthropology and Visual Communication Design Edited by Alonso Gamarra, Andrew McGrath, Muhammad Rahman, and Matthew Wizinsky https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636037627021-6MXJIXQNQNHNVIDH9DHA/Screen+Shot+2021-11-04+at+10.52.56+AM.png Design, Empiricism, and Deaf Visual Cultures - Make it stand out Shared Histories of Sight Alonso Gamarra & D.J. Trischler https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635974408136-OKLYKWO27S3WWUE4TJQ1/Screen+Shot+2021-11-02+at+5.13.34+PM.png Design, Empiricism, and Deaf Visual Cultures Visual Politics & Environmental Communication Muhammad Rahman https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636159140798-N5U2ELVI722AHPPEM5I4/Screen+Shot+2021-11-03+at+5.38.41+PM.png Design, Empiricism, and Deaf Visual Cultures - Make it stand out Types and Categories: Two Ways of Seeing and Knowing Matthew Wizinsky https://www.visualanthropologyreview.org/virtual-issue-1-2 daily 0.75 2021-11-20 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637355666822-SP5EO4NUKBBSFO0X6JRI/Screen+Shot+2021-11-19+at+4.00.43+PM.png Visual Politics & Environmental Communication - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635974408136-OKLYKWO27S3WWUE4TJQ1/Screen+Shot+2021-11-02+at+5.13.34+PM.png Visual Politics & Environmental Communication - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg Visual Politics & Environmental Communication - Make it stand out Sympathetic Resonance: Visual Anthropology and Visual Communication Design Edited by Alonso Gamarra, Andrew McGrath, Muhammad Rahman, and Matthew Wizinsky https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636037627021-6MXJIXQNQNHNVIDH9DHA/Screen+Shot+2021-11-04+at+10.52.56+AM.png Visual Politics & Environmental Communication - Make it stand out Shared Histories of Sight Alonso Gamarra & D.J. Trischler https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635973671318-L6Z1CDU87TQ6X808ZICY/Screen+Shot+2021-11-03+at+5.07.39+PM.png Visual Politics & Environmental Communication Design, Empiricism, and Deaf Visual Cultures Andrew McGrath https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636159140798-N5U2ELVI722AHPPEM5I4/Screen+Shot+2021-11-03+at+5.38.41+PM.png Visual Politics & Environmental Communication - Make it stand out Types and Categories: Two Ways of Seeing and Knowing Matthew Wizinsky https://www.visualanthropologyreview.org/virtual-issue-1-4 daily 0.75 2021-11-20 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1608145818565-55DSCRKIJ8PYVY0S45LD/01_Jain.jpg Types and Categories: Two Ways of Seeing and Knowing - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635975596375-EHK6YQZOGSZ1BMQDPTGQ/Screen+Shot+2021-11-03+at+5.38.41+PM.png Types and Categories: Two Ways of Seeing and Knowing - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg Types and Categories: Two Ways of Seeing and Knowing - Make it stand out Sympathetic Resonance: Visual Anthropology and Visual Communication Design Edited by Alonso Gamarra, Andrew McGrath, Muhammad Rahman, and Matthew Wizinsky https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1636037627021-6MXJIXQNQNHNVIDH9DHA/Screen+Shot+2021-11-04+at+10.52.56+AM.png Types and Categories: Two Ways of Seeing and Knowing - Make it stand out Shared Histories of Sight Alonso Gamarra & D.J. Trischler https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635974408136-OKLYKWO27S3WWUE4TJQ1/Screen+Shot+2021-11-02+at+5.13.34+PM.png Types and Categories: Two Ways of Seeing and Knowing Visual Politics & Environmental Communication Muhammad Rahman https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1635973671318-L6Z1CDU87TQ6X808ZICY/Screen+Shot+2021-11-03+at+5.07.39+PM.png Types and Categories: Two Ways of Seeing and Knowing Design, Empiricism, and Deaf Visual Cultures Andrew McGrath https://www.visualanthropologyreview.org/home daily 0.75 2021-12-30 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1639610274685-8KUIXC94K1YHFTKJTXOU/00_Cover.jpg HOME https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/eb2b9b72-6d45-49b2-b164-d45232902cd8/01_EdIntro.jpeg HOME - Translucent Methods STEPHANIE SADRE-ORAFAI & DARCIE DEANGELO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ebb62f44-b49b-482a-b67f-253336c5f98d/03_Goodfriend.jpeg HOME - A Street View of Occupation Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ce9d395b-846f-490c-a326-87718fbd0753/04_Maidhof.jpeg HOME - View from the Hilltop CALLIE MAIDHOF https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7622edde-9341-4773-ae95-e40322bbee22/05_Dattatreyan_MarreroGuillamon.jpeg HOME - Pedagogies of the Senses ETHIRAJ GABRIEL DATTATREYAN & ISAAC MARRERO-GUILLAMÓN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/05fa91c5-9460-4645-9108-40de520eddd1/07_Sutoris.jpeg HOME - Environmental Futures through Children’s Eyes PETER SUTORIS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/d070d2fd-7161-4c32-ad43-7973d99ba8ff/09_Spray.jpeg HOME - Drawing Perspectives Together JULIE SPRAY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg HOME - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e01e127c-4e10-45d6-89f0-73421fffd7d0/06_BoudreaultFournnier_Diamanti.jpeg HOME - Sensing the Night ELEONORA DIAMANTI & ALEXANDRINE BOUDREAULT-FOURNIER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/8c4282f8-b8b0-490b-a15f-a001f36c97ec/08_Morelli.jpeg HOME - The Right to Change CAMILLA MORELLI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/3bd983e7-308a-4b93-b6e5-ce4a1aec7412/10_Powis_THEPAGE.jpeg HOME - THE PAGE Non fi daffa métti DICK POWIS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7d857220-4faf-42df-8c4d-aeb681c2b95f/11_BlackFutures_DIALOGUE.jpeg HOME - DIALOGUE The Future of Visual Anthropology in the Wake of Black Lives Matter SIREITA MULLINGS, SHAWN SOBERS & DEBORAH A. THOMAS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/25767d66-6c51-428e-b12c-884bd0733ffb/13_Willox_CRITIQUE_16x9.jpeg HOME - CRITIQUE Gringo Love COLIN WILLOX https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5b3b1333-ab7b-4c73-aa11-efd51e503741/15_Eaton_CRITIQUE_16x9.jpeg HOME - CRITIQUE Living with Earthquakes, Past and Future JONATHAN EATON https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/30c97ad2-1f08-4cf9-8e6f-8e498ef141f5/14_Spray_CRITIQUE_16x9.jpeg HOME - CRITIQUE Drawing as Ethnographic Practice JULIE SPRAY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/9a6f18b5-f548-45b1-b2d7-4eb1270cc54f/16_Mazzaro_CRITIQUE_16x9.jpeg HOME - CRITIQUE Crossing Common Darkness ALESSIO MAZZARO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/dab3fd3a-8270-4dd2-a811-628021ac5129/spray-lead-image.png HOME - Drawing Together to Practice Reflexivity in Research Methods JULIE SPRAY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c6cf64da-0742-4c5a-ac3d-fd07cd20e784/Powis2.jpg HOME - Visual Representations of Masculinity in Dakar DICK POWIS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/36bb19fe-9ae6-4964-a271-d54b9dbcb804/SupplementDattatreyanGuillamon.jpg HOME - Pedagogies of the Senses ETHIRAJ GABRIEL DATTATREYAN & ISAAC MARERRO-GUILLAMÓN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg HOME - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg HOME - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg HOME - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/var372 daily 0.75 2022-06-23 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1639610274685-8KUIXC94K1YHFTKJTXOU/00_Cover.jpg VAR 37.2 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/eb2b9b72-6d45-49b2-b164-d45232902cd8/01_EdIntro.jpeg VAR 37.2 - Translucent Methods STEPHANIE SADRE-ORAFAI & DARCIE DEANGELO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ebb62f44-b49b-482a-b67f-253336c5f98d/03_Goodfriend.jpeg VAR 37.2 - A Street View of Occupation Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ce9d395b-846f-490c-a326-87718fbd0753/04_Maidhof.jpeg VAR 37.2 - View from the Hilltop CALLIE MAIDHOF https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7622edde-9341-4773-ae95-e40322bbee22/05_Dattatreyan_MarreroGuillamon.jpeg VAR 37.2 - Pedagogies of the Senses ETHIRAJ GABRIEL DATTATREYAN & ISAAC MARRERO-GUILLAMÓN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/05fa91c5-9460-4645-9108-40de520eddd1/07_Sutoris.jpeg VAR 37.2 - Environmental Futures through Children’s Eyes PETER SUTORIS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/d070d2fd-7161-4c32-ad43-7973d99ba8ff/09_Spray.jpeg VAR 37.2 - Drawing Perspectives Together JULIE SPRAY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg VAR 37.2 - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e01e127c-4e10-45d6-89f0-73421fffd7d0/06_BoudreaultFournnier_Diamanti.jpeg VAR 37.2 - Sensing the Night ELEONORA DIAMANTI & ALEXANDRINE BOUDREAULT-FOURNIER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/8c4282f8-b8b0-490b-a15f-a001f36c97ec/08_Morelli.jpeg VAR 37.2 - The Right to Change CAMILLA MORELLI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/3bd983e7-308a-4b93-b6e5-ce4a1aec7412/10_Powis_THEPAGE.jpeg VAR 37.2 - THE PAGE Non fi daffa métti DICK POWIS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7d857220-4faf-42df-8c4d-aeb681c2b95f/11_BlackFutures_DIALOGUE.jpeg VAR 37.2 - DIALOGUE The Future of Visual Anthropology in the Wake of Black Lives Matter SIREITA MULLINGS, SHAWN SOBERS & DEBORAH A. THOMAS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/25767d66-6c51-428e-b12c-884bd0733ffb/13_Willox_CRITIQUE_16x9.jpeg VAR 37.2 - CRITIQUE Gringo Love COLIN WILLOX https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5b3b1333-ab7b-4c73-aa11-efd51e503741/15_Eaton_CRITIQUE_16x9.jpeg VAR 37.2 - CRITIQUE Living with Earthquakes, Past and Future JONATHAN EATON https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/30c97ad2-1f08-4cf9-8e6f-8e498ef141f5/14_Spray_CRITIQUE_16x9.jpeg VAR 37.2 - CRITIQUE Drawing as Ethnographic Practice JULIE SPRAY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/9a6f18b5-f548-45b1-b2d7-4eb1270cc54f/16_Mazzaro_CRITIQUE_16x9.jpeg VAR 37.2 - CRITIQUE Crossing Common Darkness ALESSIO MAZZARO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/dab3fd3a-8270-4dd2-a811-628021ac5129/spray-lead-image.png VAR 37.2 - Drawing Together to Practice Reflexivity in Research Methods JULIE SPRAY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c6cf64da-0742-4c5a-ac3d-fd07cd20e784/Powis2.jpg VAR 37.2 - Visual Representations of Masculinity in Dakar DICK POWIS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/36bb19fe-9ae6-4964-a271-d54b9dbcb804/SupplementDattatreyanGuillamon.jpg VAR 37.2 - Pedagogies of the Senses ETHIRAJ GABRIEL DATTATREYAN & ISAAC MARERRO-GUILLAMÓN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg VAR 37.2 - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg VAR 37.2 - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg VAR 37.2 - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/var312-suppl-kloos daily 0.75 2022-07-31 https://www.visualanthropologyreview.org/var381 daily 0.75 2023-01-03 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/a2e17847-0c78-4ad7-aabb-f2e1b1736704/VAR_v38_i1_Cover-1.jpg VAR 38.1 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/68d26d8a-0a40-4ec5-b2c9-d2d3a10004c9/Vider_tile.jpg VAR 38.1 - Translating the Field JAANIKA VIDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/05511b29-3539-4b8c-9d9a-2d864216d772/Deangelo-Douglas_tile_PawelCzerwinski-Unsplash.jpg VAR 38.1 - Return to Reinvent DARCIE DEANGELO & LEE DOUGLAS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/93e888ee-2897-4024-ad62-861dcfa9dd52/Young_tile.jpg VAR 38.1 - What Do Museum Objects Want? Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/8a069a7a-1e44-4a82-b96a-88ec484b0091/Strassler_tile.jpg VAR 38.1 - THE PAGE Fragments of Memory KAREN STRASSLER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/01e70098-da48-4f95-b3e3-7b53b2e3371a/MladicJanney_tile.jpg VAR 38.1 - DIALOGUE A Conversation with Nora de Izcue CHRISTINE MLADIC JANNEY & NORA DE IZCUE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/128a6bbe-5276-4a39-96d4-cce71095bf74/Bajoghli_crop.jpg VAR 38.1 - CRITIQUE Television and the Afghan Culture Wars NARGES BAJOGHLI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b05cfb31-7402-4c2d-9304-f0ec7eed2169/Gamboa_tile_crop.jpg VAR 38.1 - CRITIQUE The Vulgarity of Democracy LISETTE GAMBOA GALVEZ https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7cf7b2ed-794c-497e-bd66-a51870a2ba07/var381_mcloughlin-casey.jpg VAR 38.1 - On “Finishing” EIMEAR MC LOUGHLIN & JOHN CASEY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/3a5448de-785f-4945-815e-cfb025a65630/Potts_tile.jpg VAR 38.1 - DIALOGUE Collaboration and Friendship in the Photography of Juno Gemes ROWENA POTTS, JUNO GEMES, & FRANCES PETERS-LITTLE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/83bdfb88-d3d3-4894-85d6-065230d610ad/SastreDiaz_tile_crop.jpg VAR 38.1 - CRITIQUE Configuring the New Lima Art Scene CAMILA FERNANDA SASTRE DÍAZ https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/a622a049-7473-4810-813d-9869bc61e411/Cooper_tile_crop.jpg VAR 38.1 - CRITIQUE Religious Television and Pious Authority in Pakistan TIMOTHY P. A. COOPER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg VAR 38.1 - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg VAR 38.1 - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg VAR 38.1 - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/supplement-scott-var-302 daily 0.75 2022-08-08 https://www.visualanthropologyreview.org/supplement-hubbert-var-302 daily 0.75 2022-08-08 https://www.visualanthropologyreview.org/supplement-dattatreyan-var-312 daily 0.75 2022-09-06 https://www.visualanthropologyreview.org/supplement-bray-var-312 daily 0.75 2022-09-20 https://www.visualanthropologyreview.org/var382 daily 0.75 2023-07-20 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/d26ec382-340b-4744-8125-0e3d60276dc3/Kat_VARCoverFall2022_fixed.jpg VAR 38.2 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/07b79e3a-0252-42ac-bf1f-39096722ca75/Figure_1.jpg VAR 38.2 - Feminist Sensory Ethnography ELENA H. GUZMÁN & EMILY HONG https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/24afa478-76f9-4ab8-9dc6-7fba0bbbab53/Nayyar_tile.jpg VAR 38.2 - Granular Activisms RAJAT NAYYAR https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4612bb8c-89f6-4d15-baea-fcb9ab096916/susan-wilkinson-pD3kFVLMye8-unsplash.jpg VAR 38.2 - Feminism Moves DARCIE DEANGELO & LEE DOUGLAS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b1904845-c5f7-4883-b47b-89fee932d162/Abazeri_tile.png VAR 38.2 - A Chronology of Seeing MARIAM ABAZERI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c772c415-29cc-4e59-adbf-49f9cc6a19a2/Grimshaw_tile.jpg VAR 38.2 - Extending the Frame Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/84d9a157-584b-4d54-9d8f-691285f1399b/Genovese_tile.jpg VAR 38.2 - THE PAGE Under the Shadow of the Wall TAYLOR GENOVESE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e4c7332c-eca9-4502-8d4e-881f61e1cbf1/Puzon_tile.jpg VAR 38.2 - CRITIQUE Shifting Worlds, Shaping Fieldwork KATARZYNA PUZON https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/a145210c-1299-43ca-af29-5968eed13e73/Browne_tile.jpg VAR 38.2 - DIALOGUE Collaborations across Cinematic Objects CYNTHIA BROWNE, DIANA ALLAN, MERLE KRÖGER, PHILIPP SCHEFFNER, VERA MADER, MARION BIET, THEODOR FRISORGER, ANNA POLZE, & JULIA SCHADE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/455b17cb-d691-4a97-889a-dd543eba844d/Baveye_tile_edit.jpg VAR 38.2 - CRITIQUE Machines in Flames MF BAVEYE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg VAR 38.2 - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg VAR 38.2 - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg VAR 38.2 - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/current daily 1.0 2025-06-10 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/203bbcd6-14a2-4199-8376-382c44e2a17f/VAR+Cover+402_DOUGLAS.jpg CURRENT - Coming soon. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/93e543c5-122b-40b5-bc1c-e2289b3147f9/Still_5.png CURRENT - The Jaguar and the Hummingbird CLAUDIO RIGA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4a8f3115-2526-4202-9197-ff51686a7e31/Fig+2_Georgiev.jpg CURRENT - Mediation, Iteration, Possibility LEE DOUGLAS & ALI FESER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/eac7dc75-586e-426c-a24f-8ae4ad89e362/Figure_1.jpg CURRENT - Higher Truths and So-called Lies MEGHANNE BARKER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1242c84a-d722-4b66-9971-7de90edce0cc/Figure+6_VAR.jpg CURRENT - CRITIQUE Limbo EDUARDO HAZERA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4e66c41d-34d5-44ad-8896-16ce087b7c59/Motherland.jpg CURRENT - CRITIQUE La Cité: Une Anthropologie Photographique CLARA BECCARO-LANNES https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/70d208f9-83ad-4655-8361-c2e1138396bd/Kavesh_Thumbnail.png CURRENT - CRITIQUE Sama in the Forest MICHELLE GAMBURD https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4259b723-c993-4865-9939-87b4dbd23e37/Tchermalykh_Thumbnail.png CURRENT - CRITIQUE Capturing Unseen Presence WYTZE DIJKSTRA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/730e9771-ec87-4d1b-9b55-8d145e911503/Fig+4_Silverstein.jpg CURRENT - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1f22d222-9313-4d4c-b9a3-06b5a5e033dc/maria-lupan-zvNg9cKe4Gk-unsplash.jpg CURRENT - FROM THE FIELD TO THE SCREEN ANGÉLICA CABEZAS PINO and MATTIA FUMANTI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/73e5f530-ae5c-4e89-9fcf-611df22b7bc7/Fig+14_Hamdy+%26+Moll.jpg CURRENT - Co-Creative Multimodal Storytelling on HIV ANGÉLICA CABEZAS PINO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e5a5bb16-f80b-44cf-a624-29e3adef63dd/autumn-studio-221wufG10eg-unsplash_middark.jpg CURRENT - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7e0abb2b-df81-4e7d-abdd-729c724c4fd3/Figure_2_Osman.jpg CURRENT - Collaboration in Documentary Filmmaking and its Discontents SOPHIE SCHRAGO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1ee6a023-9fc9-4b7e-a581-e12735d7db91/pawel-czerwinski-jJi1bjfBWYo-unsplash.jpg CURRENT - Screenings from the Archive INÊS PONTE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4f9b5050-9f60-45d6-921b-626a0582c77d/Figure_7+%281%29.png CURRENT - Embodied Collaborations HUGO MONTERO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg CURRENT - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg CURRENT - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg CURRENT - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/suppl-interview-bartlett daily 0.75 2024-01-17 https://www.visualanthropologyreview.org/suppl-interview-marrero-guillamon-dattatreyan daily 0.75 2024-01-17 https://www.visualanthropologyreview.org/suppl-interview-spray daily 0.75 2024-01-17 https://www.visualanthropologyreview.org/suppl-nonchalanth-interviews daily 0.75 2024-01-17 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7106def9-a6d4-4b5b-b14a-279c3b4ccbc8/nonchalANTH_wordmark%402x.png nonchalANTH Interviews - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/12b133b5-fd87-4207-849a-aea4509e2691/steve-johnson-ReHf-_W0Spc-unsplash.jpg nonchalANTH Interviews - Flora Mary Bartlett on Photography and Flexibility https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/694e8a36-2025-4510-a3d1-6aa6be88f14e/dan-cristian-padure-5I-HYrnRgTs-unsplash.jpg nonchalANTH Interviews - Embodying the Archives with Isaac Marrero-Guillamón and Ethiraj Gabriel Dattatreyan https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1ee6a023-9fc9-4b7e-a581-e12735d7db91/pawel-czerwinski-jJi1bjfBWYo-unsplash.jpg nonchalANTH Interviews - Lorenzo Ferrarini on Enactive Filmmaking and Multimedia Methods https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e500edd0-e9c6-4e90-b386-24d3193b9851/adrien-converse-xzH7K6nVVgI-unsplash.jpg nonchalANTH Interviews - Julie Spray on Drawing and Building a Practice https://www.visualanthropologyreview.org/suppl-interview-ferrarini daily 0.75 2024-01-17 https://www.visualanthropologyreview.org/var391 daily 0.75 2024-05-12 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/30f24824-bf26-4cd3-8100-59008ba053b0/Kat_VARCoverSpring2023_v02.jpg VAR 39.1 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7ffd18f1-6f3a-4c93-90eb-c385d534409c/Figure-3---Gamarra.jpg VAR 39.1 - Imagining the Lived Experience of Democracy in Peru ALONSO GAMARRA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/f29d670d-4e92-4e21-9a50-55ebf51678c3/Figure8---Pinney.jpg VAR 39.1 - What Time is the Visual? CHRISTOPHER PINNEY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/17972b8a-d60a-48d6-8059-989496b7b81e/david-clode-FLAHpMC1Yp4-unsplash.jpg VAR 39.1 - Polyvocalities DARCIE DEANGELO & LEE DOUGLAS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7fea6295-f6e7-4894-8292-175ccd80b419/Figure_9---Drexler.jpg VAR 39.1 - Seeing Gaslighting ELIZABETH F. DREXLER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ef00c326-49da-4f3b-bcc2-d595dcd239db/Figure1---Ramones.jpg VAR 39.1 - Endurance of Difference Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/9dc2e605-6889-4833-b014-0d9ef6d489d3/04_Ian_104---Fajardo-Escoffie.jpg VAR 39.1 - THE PAGE That Interim Period JOSE FAJARDO-ESCOFFIE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/fe9b6c39-eb73-476d-9208-e971888aa64d/Figure-1---Vavrova_crop.jpg VAR 39.1 - CRITIQUE Looking with Robert Gardner DANIELA VÁVROVÁ https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c021d0c6-9c93-48da-9375-35a7590f4efc/Figure-1---Bela.jpg VAR 39.1 - CRITIQUE Bela: Sensory Ethnography VEDANT SRINIVAS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/8bec3683-5fd8-46ad-bfd6-05f692688b25/markus-spiske-l_d78pNk37A-unsplash.jpg VAR 39.1 - CRITIQUE 4th World Media Lab MICHELLE HURTUBISE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/cc766c26-ba38-4d76-aeea-8146ec8530d5/Figure_4---Baca-Montoya.jpg VAR 39.1 - DIALOGUE Producing Indigenous Media TERESA MONTOYA, ANGELO BACA, TERESA MARTINEZ-CHAVEZ, & IKAIKA RAMONES https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/abb69de1-96a9-4bd8-906c-7bfb3ed90777/Figure-1---Bublatzky_crop.jpg VAR 39.1 - CRITIQUE Snapping and Wrapping CATHRINE BUBLATZKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/3f676b52-2e85-45f5-9e9c-21fa3d6f07a8/Figure-1---Dattatreyan-Critique_crop.jpg VAR 39.1 - CRITIQUE Worldmaking ETHIRAJ GABRIEL DATTATREYAN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/002e8e01-5b1f-4fff-89b0-d3fcc4fd9769/Figure-for-Guest-Editor-Raheja-Gursel.jpg VAR 39.1 - Bureaucratic Portraiture NATASHA RAHEJA, KAREN STRASSLER, & ZEYNEP DEVRİM GÜRSEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ba49de39-7590-40a3-88da-b2215e4c7ed5/Figure-3---Lemkowicz.jpg VAR 39.1 - Capturing the Spirit of Bureaucratic Images ROMM LEWKOWICZ https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/69d8c156-c4ed-4b74-aceb-f4c970c3a875/Figure4---Raheja-Research.jpg VAR 39.1 - Visualizing Citizenship NATASHA RAHEJA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1be51487-d3d2-4805-95d0-ea087c98024d/Hagerty.jpg VAR 39.1 - Identity Cards BENJAMIN HEGARTY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5383c3c2-f069-4c21-baa5-40bfc4cdb093/Figure-10---Gursel.jpg VAR 39.1 - Looking Together as Method ZEYNEP DEVRİM GÜRSEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/fe6f332a-9329-4173-8144-934c53c6629e/Figure-1---Dattratreyan-Research.jpg VAR 39.1 - The Impossible Portrait ETHIRAJ GABRIEL DATTATREYAN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg VAR 39.1 - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg VAR 39.1 - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg VAR 39.1 - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/var392 daily 0.75 2024-05-12 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/032c5b13-ef43-4a5d-bff6-59d81b02be33/DeAngelo+Cover+392.jpg VAR 39.2 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/215389f2-942f-4e66-a0df-e13808c0200a/Figure_5.jpg VAR 39.2 - “Found Objectionable” SONAY BAN https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/66797bf6-ed3e-4bc8-b261-b79492b3bcf1/Figure_16.JPG VAR 39.2 - Monuments to Mestizaje RAFAEL CAPÓ https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1696630343037-Z92VMJ2GN5M1RO6WQJKN/image-asset.jpeg VAR 39.2 - The Death of the Page DARCIE DEANGELO & LEE DOUGLAS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/f9417b7b-0947-44e9-b274-e20cac62625d/Figure_2.jpg VAR 39.2 - Embodying Place NAT NESVADERANI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/8b70d234-e907-4d30-b21e-9cac88b0405c/Figure_8_Box_3_ZhaoYang.SanMIn_small_kb300.jpeg VAR 39.2 - Catching the Urban Atmosphere of Taichung, Taiwan Looking for a “Now-Time” in Family Film Footage ALYSSA GROSSMAN & ARINE KIRSTEIN HØGEL https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/671c89b9-8695-45b5-b80a-751025531927/Anchor.jpg VAR 39.2 - DIALOGUE Hshouma: Corps et Sexualité au Maroc GWYNETH TALLEY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/96b764a7-00b7-4289-aeab-ac1baa13a5cf/var12305-gra-0001-m.jpg VAR 39.2 - CRITIQUE Swarm Season MARTIN GRUBER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b2829032-b8cd-4589-a5ac-23f38d3fd151/Figure_3.jpg VAR 39.2 - CRITIQUE The Weight of the Bird XINYUE LIU https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1696631763225-GXXRM66YEMWDELTG0E1A/image-asset.jpeg VAR 39.2 - CRITIQUE Expanded Visions ARTHUR BRAVO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/70d7a3c4-4710-4d5e-b431-918762f6cf4e/Figure+3.jpg VAR 39.2 - CRITIQUE MADAYIN: Eight Decades of Australian Aboriginal Bark Paintings from Yirrkala FRED MYERS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1696632639028-INQEASWK4IAJJ6GU6QCP/image-asset.jpeg VAR 39.2 - Material Encounters among Humans and Sentient Machines CHRIS SALTER and ALEX SAUNIER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/993150fd-82b1-4c99-a8b8-8872cea50277/Figure_4_B15_iceberg_MODIS.jpg VAR 39.2 - Glacial Sensing SAADIA MIRZA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5322a426-2d22-4227-b7d7-874ce791d6f9/Figure1.jpg VAR 39.2 - The Artificial as Intelligent/Indigenizing System LILLY HIBBERD, JENNIFER BIDDLE, and r e a https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/2fcf7263-a33e-42d2-817e-a88367f35974/Figure_2.png VAR 39.2 - Encountering Spiking Neural Networks ALEX SAUNIER and DAVID HOWE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg VAR 39.2 - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg VAR 39.2 - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg VAR 39.2 - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/var40-1 daily 0.75 2024-12-30 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/51a98bc9-5668-43f7-81a8-56a31d42ff09/VAR+Cover+401_DOUGLAS_FINAL.jpg VAR 40.1 - Coming soon. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/d2cf2d95-1759-4132-8a94-54e4d6fbd4a8/Fig+1_Barker.jpg VAR 40.1 - Higher Truths and So-called Lies MEGHANNE BARKER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/9e82b30b-646f-4b18-b82b-516981553a65/Fig+1_Guedes.jpg VAR 40.1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/343dbb0a-dc78-4b3c-ba60-6755af54fce4/Fig+1_Riga.jpg VAR 40.1 - Mediation, Iteration, Possibility LEE DOUGLAS & ALI FESER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/90b59d0c-4b84-4e26-ac38-b12eda841a57/Hazera_thumbnail.png VAR 40.1 - CRITIQUE Limbo EDUARDO HAZERA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/605ce24b-de76-42a2-a60a-d16067078b6b/Thumbnail_Beccaro-Lannes.jpg VAR 40.1 - CRITIQUE La Cité: Une Anthropologie Photographique CLARA BECCARO-LANNES https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/88a9c3c4-25fd-443c-8f37-07fa4eb24985/Gamburd_thumbnail+image.jpg VAR 40.1 - CRITIQUE Sama in the Forest MICHELLE GAMBURD https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/83f1fc6f-e9e5-4088-8f19-0017b6038021/Dijkstra_Thumbnail.png VAR 40.1 - CRITIQUE Capturing Unseen Presence WYTZE DIJKSTRA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/3b2272e7-5477-4742-87ef-f426eedd2422/tim-mossholder-ShmRLyRv-S0-unsplash.jpg VAR 40.1 - FROM THE FIELD TO THE SCREEN ANGÉLICA CABEZAS PINO and MATTIA FUMANTI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/81eb5346-d9a2-4416-8363-ea98c13d009f/Figure+1_VAR.jpg VAR 40.1 - Co-Creative Multimodal Storytelling on HIV ANGÉLICA CABEZAS PINO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c4cf627b-b1c7-407c-ba84-5b213fc6e16e/Figure_2%281%29.jpg VAR 40.1 - Collaboration in Documentary Filmmaking and its Discontents SOPHIE SCHRAGO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1f580d95-c424-4213-9bac-7ba4add50269/Fig_2__127_stills_or_34_scenes.png VAR 40.1 - Screenings from the Archive INÊS PONTE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5c4656ff-a822-4101-9ede-1db052b3829d/Fig4.jpg VAR 40.1 - Embodied Collaborations HUGO MONTERO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg VAR 40.1 - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg VAR 40.1 - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg VAR 40.1 - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/var411-suppl-koehn daily 0.75 2025-05-24 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/3db673d5-f5d9-4675-9345-b20ade6a87f2/Fig._01.jpg Supplement Koehn VAR 41.1 A customer is having their USB stick filled with new media content at a local data copy store in Camagüey, Cuba. Image Courtesy of Nestor Siré. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/d57d03ec-b035-4280-89e9-b1965929def2/Fig._02.jpg Supplement Koehn VAR 41.1 A screenshot captured from one of the advanced levels in the game. Screenshot from PakeTown. Steffen Köhn, Nestor Siré, ConWiro, 2021. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/027b5077-eb65-4370-b463-15cfde65c545/Fig._04.jpg Supplement Koehn VAR 41.1 PakeTown (as seen on the screen in the background) is the subject of discussion on a Cuban YouTube channel dedicated to video games. Screenshot from the YouTube video Paketown | Reseña . Videojuego Cubano. Courtesy of Fate Studios, 2022. https://www.visualanthropologyreview.org/guidelines daily 0.75 2026-03-09 https://www.visualanthropologyreview.org/current-412 daily 0.75 2025-11-19 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/203bbcd6-14a2-4199-8376-382c44e2a17f/VAR+Cover+402_DOUGLAS.jpg CURRENT 41.2 _NOT LINKED - Coming soon. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/93e543c5-122b-40b5-bc1c-e2289b3147f9/Still_5.png CURRENT 41.2 _NOT LINKED - The Jaguar and the Hummingbird CLAUDIO RIGA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4a8f3115-2526-4202-9197-ff51686a7e31/Fig+2_Georgiev.jpg CURRENT 41.2 _NOT LINKED - Mediation, Iteration, Possibility LEE DOUGLAS & ALI FESER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/eac7dc75-586e-426c-a24f-8ae4ad89e362/Figure_1.jpg CURRENT 41.2 _NOT LINKED - Higher Truths and So-called Lies MEGHANNE BARKER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1242c84a-d722-4b66-9971-7de90edce0cc/Figure+6_VAR.jpg CURRENT 41.2 _NOT LINKED - CRITIQUE Limbo EDUARDO HAZERA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4e66c41d-34d5-44ad-8896-16ce087b7c59/Motherland.jpg CURRENT 41.2 _NOT LINKED - CRITIQUE La Cité: Une Anthropologie Photographique CLARA BECCARO-LANNES https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/70d208f9-83ad-4655-8361-c2e1138396bd/Kavesh_Thumbnail.png CURRENT 41.2 _NOT LINKED - CRITIQUE Sama in the Forest MICHELLE GAMBURD https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4259b723-c993-4865-9939-87b4dbd23e37/Tchermalykh_Thumbnail.png CURRENT 41.2 _NOT LINKED - CRITIQUE Capturing Unseen Presence WYTZE DIJKSTRA https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/730e9771-ec87-4d1b-9b55-8d145e911503/Fig+4_Silverstein.jpg CURRENT 41.2 _NOT LINKED - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1f22d222-9313-4d4c-b9a3-06b5a5e033dc/maria-lupan-zvNg9cKe4Gk-unsplash.jpg CURRENT 41.2 _NOT LINKED - FROM THE FIELD TO THE SCREEN ANGÉLICA CABEZAS PINO and MATTIA FUMANTI https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/73e5f530-ae5c-4e89-9fcf-611df22b7bc7/Fig+14_Hamdy+%26+Moll.jpg CURRENT 41.2 _NOT LINKED - Co-Creative Multimodal Storytelling on HIV ANGÉLICA CABEZAS PINO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e5a5bb16-f80b-44cf-a624-29e3adef63dd/autumn-studio-221wufG10eg-unsplash_middark.jpg CURRENT 41.2 _NOT LINKED - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/7e0abb2b-df81-4e7d-abdd-729c724c4fd3/Figure_2_Osman.jpg CURRENT 41.2 _NOT LINKED - Collaboration in Documentary Filmmaking and its Discontents SOPHIE SCHRAGO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1ee6a023-9fc9-4b7e-a581-e12735d7db91/pawel-czerwinski-jJi1bjfBWYo-unsplash.jpg CURRENT 41.2 _NOT LINKED - Screenings from the Archive INÊS PONTE https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4f9b5050-9f60-45d6-921b-626a0582c77d/Figure_7+%281%29.png CURRENT 41.2 _NOT LINKED - Embodied Collaborations HUGO MONTERO https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg CURRENT 41.2 _NOT LINKED - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg CURRENT 41.2 _NOT LINKED - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg CURRENT 41.2 _NOT LINKED - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/current-412-2rows daily 0.75 2026-03-17 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/41dafed8-ee0c-412f-ac20-9665e5f02fab/VAR41.2.png CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/9ba1b3fc-7254-454a-9648-f9be8ba64d16/2_French+Figure_2_-_Andres_Reyes_-_1961+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/25efc15e-19cf-4b41-be2e-864ed5770e59/6_Hutschenreiter+Figure_4.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b5bfc232-0443-46af-aabc-db3bc914dd64/5_Mollona+and+Clifford+workers%27_demonstration+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b6dabb8e-cb3b-444d-926d-47aa27dd9b12/9_McDonald+Figure_5_Sentinel_at_the_Tower_House+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/2ad30b6b-e6e4-4669-b4ab-ca6af825374f/8_Ivan+Figure_6+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4cec3299-0848-4809-9884-5b4f844a3ee1/VAR_41.1.png CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ae7efae4-1717-4f4c-b4b9-58d93806f9e6/1_jones+VAR_Figure_1+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/03f7dcf7-e3f6-474f-8993-cf507be69018/2_SampathaiWEB.png CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c699993e-6be5-443c-a324-26e63da82bcd/4_Toscano+Figure6+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/11c19d0a-72b7-4560-b330-a49c37880437/3_kohn+Figure_3+copy.png CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/03bd2af6-c1c8-4621-81fe-abce9e3394d8/9_Brown+Figure_3+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/573a240a-9bc4-48d2-8e7b-96689acae4ca/11_Biddle+figure+1+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5af491e6-7106-4ad8-b14a-aed740738a1e/10_Babcock+Figure+1+Still+copy.jpeg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e04542ca-c6a9-4051-8695-b29adc851150/12_fattal+Figure_1.png CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b13e2d68-b21d-41b0-8e6d-2d49386f6307/6_newbury+Figure20+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/0953e8a0-f43e-4f14-a45b-60e2b2270cb1/7_basu+Figure_3+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/183716cf-9610-497e-a02e-ec4e35fd551c/8_Vokes+figure+2+copy.jpg CURRENT 41.2 _NOT LINKED 2 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg CURRENT 41.2 _NOT LINKED 2 ROWS - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg CURRENT 41.2 _NOT LINKED 2 ROWS - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg CURRENT 41.2 _NOT LINKED 2 ROWS - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/current-412-3rows daily 0.75 2026-03-17 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/41dafed8-ee0c-412f-ac20-9665e5f02fab/VAR41.2.png CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/9ba1b3fc-7254-454a-9648-f9be8ba64d16/2_French+Figure_2_-_Andres_Reyes_-_1961+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b5bfc232-0443-46af-aabc-db3bc914dd64/5_Mollona+and+Clifford+workers%27_demonstration+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/2ad30b6b-e6e4-4669-b4ab-ca6af825374f/8_Ivan+Figure_6+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b6dabb8e-cb3b-444d-926d-47aa27dd9b12/9_McDonald+Figure_5_Sentinel_at_the_Tower_House+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/25efc15e-19cf-4b41-be2e-864ed5770e59/6_Hutschenreiter+Figure_4.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4cec3299-0848-4809-9884-5b4f844a3ee1/VAR_41.1.png CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ae7efae4-1717-4f4c-b4b9-58d93806f9e6/1_jones+VAR_Figure_1+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/03f7dcf7-e3f6-474f-8993-cf507be69018/2_SampathaiWEB.png CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c699993e-6be5-443c-a324-26e63da82bcd/4_Toscano+Figure6+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/11c19d0a-72b7-4560-b330-a49c37880437/3_kohn+Figure_3+copy.png CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/03bd2af6-c1c8-4621-81fe-abce9e3394d8/9_Brown+Figure_3+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/573a240a-9bc4-48d2-8e7b-96689acae4ca/11_Biddle+figure+1+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5af491e6-7106-4ad8-b14a-aed740738a1e/10_Babcock+Figure+1+Still+copy.jpeg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e04542ca-c6a9-4051-8695-b29adc851150/12_fattal+Figure_1.png CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b13e2d68-b21d-41b0-8e6d-2d49386f6307/6_newbury+Figure20+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/0953e8a0-f43e-4f14-a45b-60e2b2270cb1/7_basu+Figure_3+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/183716cf-9610-497e-a02e-ec4e35fd551c/8_Vokes+figure+2+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg CURRENT 41.2 _NOT LINKED 3 ROWS - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg CURRENT 41.2 _NOT LINKED 3 ROWS - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg CURRENT 41.2 _NOT LINKED 3 ROWS - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER https://www.visualanthropologyreview.org/current-412-3rows-grid daily 0.75 2026-03-17 https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/41dafed8-ee0c-412f-ac20-9665e5f02fab/VAR41.2.png https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/9ba1b3fc-7254-454a-9648-f9be8ba64d16/2_French+Figure_2_-_Andres_Reyes_-_1961+copy.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b5bfc232-0443-46af-aabc-db3bc914dd64/5_Mollona+and+Clifford+workers%27_demonstration+copy.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/2ad30b6b-e6e4-4669-b4ab-ca6af825374f/8_Ivan+Figure_6+copy.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/aaa0d441-98d0-441e-87fe-b8363416b99c/9_McDonald+Figure_5_Sentinel_at_the_Tower_House+copy.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/25efc15e-19cf-4b41-be2e-864ed5770e59/6_Hutschenreiter+Figure_4.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/dac0a6a1-a54e-42d3-ab01-55b4064bd357/VAR41.2.png https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/4cec3299-0848-4809-9884-5b4f844a3ee1/VAR_41.1.png https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/ae7efae4-1717-4f4c-b4b9-58d93806f9e6/1_jones+VAR_Figure_1+copy.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/03f7dcf7-e3f6-474f-8993-cf507be69018/2_SampathaiWEB.png https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/c699993e-6be5-443c-a324-26e63da82bcd/4_Toscano+Figure6+copy.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/11c19d0a-72b7-4560-b330-a49c37880437/3_kohn+Figure_3+copy.png https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/03bd2af6-c1c8-4621-81fe-abce9e3394d8/9_Brown+Figure_3+copy.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/573a240a-9bc4-48d2-8e7b-96689acae4ca/11_Biddle+figure+1+copy.jpg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/5af491e6-7106-4ad8-b14a-aed740738a1e/10_Babcock+Figure+1+Still+copy.jpeg https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/e04542ca-c6a9-4051-8695-b29adc851150/12_fattal+Figure_1.png https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/64c257ae-9749-4aa9-a884-d5e64a374565/VAR_41.1.png https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b13e2d68-b21d-41b0-8e6d-2d49386f6307/6_newbury+Figure20+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS GRID https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/0953e8a0-f43e-4f14-a45b-60e2b2270cb1/7_basu+Figure_3+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS GRID https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/183716cf-9610-497e-a02e-ec4e35fd551c/8_Vokes+figure+2+copy.jpg CURRENT 41.2 _NOT LINKED 3 ROWS GRID https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1640869819898-RR1O1MM3N7EN5G0TB05D/cover_issue_264_en_US.jpg CURRENT 41.2 _NOT LINKED 3 ROWS GRID - Visible Language 55(3) EDITED BY MIKE ZENDER https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/1637427795300-AZSY3W31IOK8A7NTALF4/VARVL.jpg CURRENT 41.2 _NOT LINKED 3 ROWS GRID - Sympathetic Resonance ALONSO GAMARRA, ANDREW MCGRATH, MUHAMMAD RAHMAN, D.J. TRISCHLER & MATTHEW WIZINSKY https://images.squarespace-cdn.com/content/v1/5ec01bef7140f55bfe6270e6/b7127930-a607-4d8c-a7ea-431a77b880a4/12_VARVL_DIALOGUE.jpg CURRENT 41.2 _NOT LINKED 3 ROWS GRID - DIALOGUE Turning Points JESSICA BARNESS, AMY PAPAELIAS, STEPHANIE SADRE-ORAFAI & MIKE ZENDER